Showing posts with label Hindu Temple. Show all posts
Showing posts with label Hindu Temple. Show all posts

Monday, April 25, 2016

Mallam (Nellore A.P) Subramanyeswaraswamy Temple: A Tourist Attraction


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Mallam Subramanyeswaraswamy Temple (front view)
Mallam (மல்லம்), a quaint village located in Chittamur Mandal (சித்தாமூர் மண்டல்), SPSR Nellore (நெல்லூர்) district, Andhra Pradesh Pin Code 524403. The village is also known in the local dialect of Telugu as “Thirugu Mallam” (திருகு மல்லம்) (meaning “turn back”) owing to the unique natural phenomenon where the water from nearby lakes would fill up the nearby fields whenever there were rains and return back to the lake. Inscription calls this village as Thiruvanmur (திருவான்மூர்) (S.I.I. Vol. XII, no. 106). Mallam (Nellore) should not be confused with Mallam village in Pithapuram Mandal, East Godavari district, Andhra Pradesh or with Gudimallam village in Sri Kalahasti Mandal in Chittur district, Andhra Pradesh.

The geographical Coordinates are 13° 57' 0" North (latitude), 80° 7' 0" East (longitude) The main occupation of the area is agriculture and allied activities. It is located 63 km towards South from District head quarters Nellore. It is 46 km from Gudur (கூடூர்), 30 km from Nayudupettai (நாயுடுபேட்டை), 8 km from Chittamur, 488 km from State capital Hyderabad. Gudur , Srikalahasti , Nellore , Venkatagiri are the nearby towns to Mallam. From Chennai you may enjoy the comfort of driving through NH 16 (previously National Highway 5 i.e., Chennai - Calcutta National Highway). Take diversion to your left at 'Koottu road' 4 way junction before Naydupeta. Surprisingly you will find the state and rural roads are good for smooth driving.

The hamlet is part of Mallam Panchayat and as per census 2011 it has a population of 3829 (males 1998 and females 1831 and around 934 families).  The village has a junior collage, primary and secondary Zilla Parishad high schools and two private schools. 

Architecture

Mallam is home to the Subramanyeswaraswamy temple. It was constructed by the Pandya king Kullothunga Bhupathy. The temple belongs to 630 A.D.  and was further extended / renovated in 10th and 11th centuries by Pallava, Chola and Vijayanagara rulers. The prime deity is Lord Subramanyeswaraswamy (a.k.a Lord Murugan) and it is devoid of hand. The temple is located in a calm and quiet atmosphere at the outskirts of Mallam village. Its antiquity is concealed behind latest renovations and modern chemical paintings.

The temple is facing north. The sanctum sanctorum of Mallam temple has the granite sub-structure and brick and lime mortar based super-structure. The ekatala Dravidian vimanam has octagonal shikara and the finial. The 64 pillared mandapam is supported by pillars with brahmakantas (square) at lower and upper ends and the vishnukanta or kattu (octagonal shaft) in the middle. The pillar faces are sculpted with bas relief panels showing episodes from Ramayana, Mahabharata and Srimad Bhagavatam.  Horse-drawn chariot sculpted onto the Vasantha mandapam of Subramanyeswaraswamy temple, Mallam. The chariot drawn by a pair of caparisoned horses and its wheel (on both sides of the mandapam) are sculpted with finer details. There are separate sanctums for consorts of the prime deity at the inner prakara. 

Legend

Since the demon was annihilated by Lord Subramanyaswamy at this shrine and in order to give heed to the prayers of the demon Mallam village, the shrine was named after the demon known as Mallasura. The episodes of Mallasura are painted recently on the mandapam ceilings.

The Pandya king Kullothunga Bhupathi took rest around this jungle region with his body-guards. His men spotted the nearby ant-hill surrounded with thick bamboo plants. The ant-hill was covering the idol of Lord Subramanya. The king wanted to cut the bamboo poles for his palanquin and instructed his men to cut the bamboo. When their sword cut the bamboo from its roots, they noticed blood oozing from the bush. The sword while cutting the bamboo sticks broke both the hands of the idol. On the same night Lord Subramanya appeared in the dream of Pandya king and instructed him to raise a temple at the same spot to install his idol at the prime sanctum. You may notice that the armless idol (prime deity) is half buried into the ground. Over the years the new idol came as a replacement to the old one. Thus the Mallam temple came into existence.

The Pandya king handed over the task of sculpting the Vasantha mandapam to his chief sculptor. The chief sculptor's son was also a skilled sculptor. He designed and sculpted the Vasantha mandapam as the wheeled stone chariot drawn by a pair of horses. When he completed the task he wanted to show the structure to his lady love. When shown to his beloved the horse drawn chariot came alive and was about to move. The chief sculptor came to know about the live chariot and got annoyed. His immediate action to halt the chariot by breaking the legs of a horse. There after he killed his son and committed suicide. The mandapam was actually designed to face east. Since it came alive and turned towards south and now it is facing south.
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Vasantha Mandapam showing the Chariot and Horses
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Horse-drawn Chariot with wheels - Note the finer details
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Closer-look of the Horse
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16 pillared Mandapam - Flight of steps flanked by YALI Balustrade
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Pillar faces showing bas-relief images
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Adhishtana - Jagadhi with bas relief panels flanked by yali frieze and kapotam
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View of Adhishtana of the Mandapam
Inscription

Thoongu thalai Navakandam
Navakandam means nine Cuts. Brave act of the heroic warrior who ritually cuts himself in nine spots in his body and dies in front of Goddess Durga a.k.a Kotravai just to fulfill his vow before a war. He does this supreme sacrifice for the longevity and success of the king as well as his kingdom. The brave individuals who have sacrificed their lives for sake of the country are honored by the countrymen. They install memorial stones for them and offered rituals. 

Thoongu thalai navakandam is the rare form of self-sacrifice wherein the warrior ties his tuft with his left hand or ties to a tree and chops his head with a sword held in his right hand.
An inscription of Kampavarman,  dated in the 20th year, found on a stone slab set up in front of the Subramanyeswaraswamy temple speaks of a person holding his severed head by the tuft in his left hand, while the right hand grasps a sword. It registers a gift of land made by the urar of Tiruvanmur of Pattai-Pottan for the pious act of Okkondanagan Okkatindan Pattai-Pottan, probably his father, in cutting off flesh from nine parts of his body and finally his head as an offering to the goddess Bhitari, i.e., Durga. (The rituals connected with human sacrifice offered to the goddess Durga are described in the Kaika-Purana, Chapter 70.). The modern Mallam or an ancient suburb of it was known as Tiruvanmur in inscriptions. (S.I.I. Vol. XII, No. 106 - A.R. No. 498 of 1908) Mallam, Gudur Taluk, Nellore District, on a slab set up in front of the Subrahmanya temple)

ஸ்ரீ கம்ப பருமற்கு யாண்டு இருபதாவது பட்டை பொத்தனுக்கு ஒக்கொண்ட நாகர் ஒக்கதீந்தன் பட்டை பொத்தன் மெ (தவம்) புரிந்ததென்று படாரிக்கு நவகண்டங் குடுத்து குன்றகத்தலை அறுத்துப் பிடலிகை மேல்வைத்தானுக்கு திருவான்மூர் ஊரார் வைத்த பரிசாவது : எமூர்ப்பறை கொட்டிக்கல்மெடு செய்தராலிக்குக் குடுப்பரானார் பொத்தனங் கிழவர்களும் தொறுப்பட்டி நிலங் குடுத்தார்கள் . இது அன்றென்னங் கங்கையிடை குமரியிடை எழுநூற்றுக் காவதமும் செய்தான், செய்த பாவத்துப் படுவார். அன்றென்றார் அன்றான் கோவுக்கு காற்பொன் தண்டப்படுவார். S.I.I  Vol XII No. 106

Sankaran Sriram, Abhinav Books, has helped me a lot to understand the importance of Mallam (Nellore) temple.  

  • Reference
  1. Mallam
  2. South Indian Inscriptions. Pallava Inscriptions (S.I.I Vol XII No. 106)
  3. Subramanya Swamy Temple in Mallam
  4. Sri Subramanyeswara Swamy Temple, Mallam
  5. மகேந்திர வர்மன் மயிலை சீனி வேங்கடசாமி. பாவை பப்ளிகேஷன்ஸ். சென்னை. 2012. பக். 104.
YouTube 
 Sri Subramanya Swamy Temple, Mallam, Naidupet, Nellore by M.Sreenivas

Friday, October 16, 2015

Heritage Trails Villupuram: Tirumundeeswaram and Jambai 1

Tirumundeesvaram Temple (Wikimapia)
Panuval Bookstore, Thiruvanmiyur is popular for books on environment and society and for its series of weekly, monthly lectures and discussions on literature, cinema, society, economics and politics at its premises. It has also organized three "One day Archaeological Educational Tour" to historical and archaeological monuments. The fourth one day tour heritage tour was organized on 04th October 2015 and planned cover four places in Thiruvennainallur and Tirukoyilur taluks, Villipuram district in Tamil Nadu: Gramam (Tirumundeesvaram) கிராமம் (திருமுண்டீஸ்வரம்), Tiruvennainallur (திருவெண்ணெய்நல்லூர்), Tirukoyilur (திருக்கோவிலூர்), Jambai Dasimadam hillock (ஜம்பை தாசிமடம் குன்று) and Jambunatheshwarar Temple (ஜம்புநாதேஸ்வரர் கோவில்). It was planned to hire a bus and accommodate around 30 participants.  Panuval also ensured the participation of Dr. Padmavathi Anaiappan,  retired Senior Epigraphist, Tamil Nadu State Archaeology Department, Mr. C.Veeraraghavan, ancient historian, freelance archaeologist and epigraphist and Mrs. Mangayarakarasi Veeraraghavan. I had the chance to participate in this one day tour. However we could spent our entire day in visiting two places only i.e, Gramam and Jambai Dasimadam hillock and Jambunatheshwarar Temple.

Dr. Padmavathi Anaiappan: Explaining the History
We have commenced our day from Panuval Bookstore, Thiruvanmiyur by 06.30 am. After number of pick-ups at several points, we proceeded straight on the NH45 towards Villupuram. We stopped on the Highway at the roadside and finished our packed breakfast (Hot-Chips Mini Breakfast) under the shady tree. The NH 45 was looking excellent highway for pleasant morning travel. Mr.C. Veerraghavan and Mrs.Veeraraghavan joined with us at Villupuram by-pass. After travelling about 5 km, we took the right turn at Arasur crossing and proceeded further on the road leading to Thiruvennainallur enroute to Tirukoilur. After passing through the railway level crossing, we reached our first destination, the village Gramam and parked our vehicle before Sri Sivaloganathar temple.

Gramam (கிராமம்) is a village in Thiruvennainallur taluk (திருவெண்ணைநல்லூர் வட்டம்), Villupuram district (விழுப்புரம் மாவட்டம்), Tamil Nadu, India. The village is located on the southern bank of the river Malattaar (மலட்டாறு). Malattar is said to be the old bed of Thenpennai river. The historical Tirumundeeswaram (Mouli Gramam) village is described to have been located on the southern bank of the Thenpennai river. The  Thenpennai River (aka Dakshina Pinakini in Kannada) covers 105 km in Villupuram district. It is the main source for irrigating over 25000 acres in Villupuram district. The Gramam village is at the geographic coordinates of 13.093 N latitude and 80.292 W longitude. The rural village is part of Gramam village panchayat and as per census 2011 it has a population of 3,048 people and 68.43 % literacy rate. The main occupation of the area is agriculture and allied activities. It is located 16 km towards South from District head quarters Viluppuram, 3 km from Arasur, 5 km from Thiruvennainallur, 21 km from Thirukovilur and 190 km from State capital Chennai. 

Location: Gramam near Tiruvenneinallur . (Nadu Naadu (நடு நாடு)
Historical Name: Mundeeswaram (முண்டீஸ்வரம்)
Shiva: Sivalokanathar (சிவலோகநாதர்), Mundeeswarar (முண்டீஸ்வரர் ), Mudiswarar (முடீஸ்வரர்).
Ambal: Soundaryanayaki (சௌந்தர்யநாயகி), Kanarkuzhali (காணார்குழலி), Selvambikai (செல்வாம்பிகை).
Holy Tree (Vriksham): Vanni (வன்னி). Prosopis tree (in English). Botanical Name: Prosopis cineraria (Family: Fabaceae)
Holy Water (Theertham): Mundaka Theertham (முண்டக தீர்த்தம்)

Devaram Hymn (தேவார பதிகம்) : Devaram hymns of saint Tirunavukkarasar (திருநாவுக்கரசர்). This shrine is the 19th Lord Shiva Temple in Nadunadu region praised in Devaram hymns (19வது நடுநாட்டுத் தேவார தலம்). 


Hymns (Patikam) of Saint Tirunavukkarasar Devaram mentions this shrine as Tirumundeeswaram (திருமுண்டீச்சுரம்

'திருமுண்டீச் சரத்து மேய சிவலோகன் காணவனென் சிந்தை யானே.'

Entrance

The inscriptions of Parantaka Chola I address this shrine as 'Tirumudiyur.'  The inscriptions of Rajendra Chola I record the name of this shrine brahmadeyam of Mudiyur-nadu (முடியூர் நாட்டுப் பிரமதேயம்)   and was forming part of the subdivision of Tirumunaipadi Nadu (திருமுனைப்பாடி நாடு) in Jayangonda-Solamandalam (ஜெயங்கொண்ட சோழமண்டலம் ) province. According to the inscriptions of Aditya Karikalan aka Aditya II, Kulotunga I and Kulotunga II, this shrine was known as Parantaka chaturvedhi-mangalam (பராந்தக சதுர்வேதிமங்கலம்) of Mutiyur-nadu (a subdivision) of Tirumunaipadi Nadu (திருமுனைப்பாடி நாடு) in Jayangonda-Solamandalam. Rajaraja II called this shrine as Kulotunga Chola Chaturvedhi-mangalam (குலோத்துங்க சோழ சதுர்வேதிமங்கலம்) of Mutiyur-nadu. The place according to R.P.Sethupillai (இரா.பி.சேதுப்பிள்ளை) was also called as Mouli Gramam (மௌலி கிராமம்) in Sanskrit. Later it was transformed to as just 'Gramam' after omitting prefix 'Mouli.' The current name of this shrine is Tirumundeeswaram.

The prime deity Sivalokanathar was addressed with different names in different inscriptions: Parantaka Chola I inscriptions called the Lord as 1. Sri-Arruttali (ஸ்ரீ ஆற்றுதளி), 2. Sri-Arruttali-Mahadeva (ஸ்ரீ ஆற்றுதளி மகாதேவா), 3. Sri-Arruttali-Perumanadigal (ஸ்ரீ ஆற்றுதளி பெருமானடிகள்), 4. Sri-Arruttali-mulasthanattu-Perumanadigal (ஸ்ரீ ஆற்றுதளி மூலஸ்தானத்துப் பெருமானடிகள்), 5. Sriyarruttali-Perumal (ஸ்ரீயாற்றுத்தளி பெருமாள்). Rajara Chola II preferred to call the Lord as Sri-Arruttali-Aludaiyar (ஸ்ரீ ஆற்றுதளி ஆளுடையார்). Jatavarma Sundarapandya I called the Lord as Bokkanankuduttaruliya-Nayanar (பொக்கிஷங்கொடுத்தருளிய நாயனார்) and Mulasthanam-Udaiyar Bokkanankuduttaruliya-Nayanar (மூலஸ்தானத்து உடையார் பொக்கிஷங்கொடுத்தருளிய நாயனார்).

View from North-east corner
The Chola prince Rajaditaya, when stationed to guard the Chola garrison in Gramam village, crowned himself as the Chola prince. Vellankumaran (வெள்ளன்குமரன்), a native of Nadikkaraputtur in Chera country (சேரநாட்டு நந்திக்கரைபுத்தூர்) was serving as the general of Chola army and was stationed here along with his force. Sri Sivalokanathaswamy temple was constructed by Vellankumaran during the 36th regnal year (943 A.D.) inscription of Parantaka Chola I records the consecration of the granite temple of Sri-Arruttali-Perumanadigal at Mudiyur in auspicious Revathi star, on Saturday in the Tamil month Thai in 4044th Kaliyuga year.

View from North-west corner

Legend has it that king Chokkalingam, attracted by the mystifying red lotus flower in the water tank, attempted to get hold of the flower. The flower kept moving in a circle around the tank. The king lost his patience and shot an arrow at the flower. King fainted on seeing the entire tank water turned red. After sometime when he gained conscious, he found a Shivalinga with the scar on the head. The Shivalinga was consecrated and this temple structure was built by him on the south bank of the Pennai river. The river course and changed over a period of time and now the river Malattar flows on its left. Since the Lord appeared with scar, he got the name Mudeeswarar (முடீஸ்வரர்) and the village during Parantaka I Chola rule was known as 'Mouli Gramam' (மௌலி கிராமம்). Over a period of time, the village is simply called as 'Gramam.'  The temple is popularly called as 'Tirumundeeswaram,' a transformation from 'Tirumudeeswaram' (திருமுண்டீஸ்வரம்).  Another interpretation is that Thindi and Mundi are the Dwarapalakas of the Lord Shiva and Mundi worshiped Him at Mundeeswaram and Thindi worshiped Him at Thindeeswaram (present Tindivanam).  The Lord is referred to as ‘Aattruthali Mahadeva’ (ஆற்றுத்தளி மகாதேவர்) in the inscriptions.

Rajagopuram, Main Sanctum, Murugan Sanctum (behind), Goddess at left

The five tier rajagopuram and the tall and huge perimeter wall encloses the vast temple complex.  The temple has wide and spacious corridor.   The temple architecture is identified  as "Somaskanda form" i.e., the sanctum of the Muruga shrine is flanked by the sanctum of the prime deity on the right and the goddess's sanctum on the left.  

Sivalokanathar aka Mundeeswarar or Mudiswarar

The prime deity is Lord Sivalokanathar aka Mundeeswarar or Mudiswarar (Lord of the crown) appear as Shivalinga in the main sanctum. Rajagopuram, Bali Peetam, Nandhi, and the Main Sanctum (Sivalokanathar) aligned in the same axis. There is no flagpost at the entrance. The niches, at the entrance, the positions of the shrines of Vinayaka and Muruga are interchanged. Lord Nataraja appears in a separate shrine. The prime sanctum is connected to the ardhamandapa and ornate four pillared mukhamanadapa. 
 
Mundi
Thindi

The entrance between the mukhamandapa and mahamandapa is flanked by two free standing heavily ornamented Dwarapalakas with peaceful appearances: Thinda on your left and Munda on your right. The pushpa palakai is loacted at the rear end of mahamandpa wall is meant for flower garland making. The mahamandapa also houses the Chola style idols of Saints: Tirugnanasambandhar, Appar, Sundarar and Manickavasagar. The mahamandapa is attached with 18 pillared open mandapa.  

The east facing vimana of the prime deity is  made out of granite substructure (from adishtana to prastara) and brick super-structure (hara, griva and shikara) studded with with stucco images. The external walls of the vimana has upana, jagadi, tri-patta kumuda mouldings and can be termed as simple  Padabandha adhishtana. The pada of the vimana and ardhamandapa have five deeply cut niches flanked by ornate pilasters. The niches on the south and north ardhamandapa walls houses the Chola style idols of Vinayaka and Durga respectively.

The southern vimana wall houses the sanctum of the unique Chola period Lord Rishaba Dakshinamurthy appear seated on His Rishaba Bull vahana (mount) on a hill instead of under the Kallala tree (Banyan tree). Sthanaka Vishnu appear in the niche of the western vimana wall. Brahma appear in the niche of the northern vimana wall.

The east facing shrine of Goddess Soundaryanayaki aka Kanarkuzhali, the consort of the presiding deity, is located on the left side of the prime sanctum. Like the main sanctum this also  built with granite and the super structure (hikara, griva and stupi) with brick and mortar. Goddess Soundaryanayaki appear in a standing posture. The niches are bereft of any deities / sculptures.

The shrine of Lord Muruga appears behind the prime sanctum. The Lord's left hand shows Narasa mudra and right had abhaya mudra. Navagriha shine is located just before the Durga.  There is a separate shrine for Aiyanar. The seven Sapta Matrika idols and the Yoga Guru (Virabhadra) are arranged in a row at the north corridor. Also there is the unique Pallava Durga idol.

Tirumundeeswaram is the 51st shrine  glorified by Devaram hymn (தேவார பாடல் பெற்ற தலம்) and the 19th among the 22 Shiva shrines of nadu nadu canonized by Devaram.  The Lord is revered by the Devaram hymns of Thirunavukkarasar aka Appar. 

Saptamatrika & Yoga Guru
Durgai (Pallava)

Bairavar
Dakshinamurthi (Parantaka I)
History

Parantaka Chola I (முதலாம் பராந்தக சோழன்) (907 - 955 A.D.) further extended  the Chola territory founded by Vijayalaya Chola (விஜயாலய சோழன்) and Aditya Chola I (முதலாம் ஆதித்த சோழன்). He earned the title 'Mathirai konda Koparakesari' (மதிரைகொண்ட கோப்பரகேசரி) at the third year of his rule (910 A.D.) after invading Maravarman Rajsimha II 's (இரண்டாம் மாறவர்மன் இராஜசிம்மன்) Pandya kingdom and capturing its capital city 'Madurai.'  After loosing the first battle, Maravarman Rajsimha II sought the help of Ilam (ஈழம்) (Sri Lanka) king and an Ilam army under the command of Chakka Senapati (சக்க சேனாபதி) came to Tamilakam to support Pandya. Parantaka I at the eighth year of his rule (915 A.D) defeated the combined army of Pandya and Ilam in Vellore (வேலூர்) by Parantaka's generals Pazhuvettaraiyar (பழுவேட்டரையர்) and Kandan Amudanaar (கந்தன் அமுதனார்). This victory earned Parantaka the title Parantaka got a title - 'Maduraiyum Eezhamum Konda Kopparakesari' ( "மதிரையும் ஈழமும் கொண்ட கோப்பரகேசரி") as well as usurping more Pandya regions to Chola territory.

The Chola dynasty received support from many local kings and feudatories. During the reign of Parantaka Chola I Pazhuvettaraiyar (பழுவேட்டரையர்) and Kodumbalur Velir (கொடும்பாளூர் வேளிர்) extended their support to the Chola king.  Pazhyvettaraiyars have their origin from kerala. They also made their presence in the heartland of Chola i.e, Kila-Paluvur (கீழப்பழுவூர்) and Mela-Paluvur (மேலப்பழுவூர்), in the Udaiyarpalayam taluk of the Tiruchirapalli district and managed to survive in very high ranks in the Chola kingdom.

Parantaka Chola I had numerous wives, among whom no fewer than eleven come out in the inscriptions: three of them were from Paluvettaraiyars' daughters -  Udaiya Pirattiyar Kokkilan Adigal (உடைய பிராட்டியார் கோகிலன் அடிகள்) daughter of the Chera king Rama Varma of Kulasekara dynasty; Arumoli Nangai (அருள்மொழி நங்கை), the daughter of another Chera king Paluvettaraiyar Kandan Amuthan, who ruled from west Paluvur of the present Tirutchirappalli in Tamil Nadu bordering Kerala; Villavan Mathevi (வில்லவன் மாதேவி) probably the daughter of the Venad King (வேநாட்டு அரசர்) of the Chera country. Parantaka I had four sons i.e., Rajaditya Chola (இராஜாதித்ய சோழன்), Kandaraditya Chola (கண்டராதித்ய சோழன்), Arikulakesari aka Arinjaya Chola (அரிகுலகேசரி என்ற அரிஞ்சயன்) and Uttamasseeli Chola (உத்தமசீலி சோழன் ). The Parantaka had Rajaditya, elder son and Kandaraditya second son by Udaiya Pirattiyar Kokkilan Adigal and Arikulakesari aka Arinjayan, the third son by Arulmoli Nangai.

Vijayaraghavadeva (A.R. No. 169 of 1912), believed as the Chera contemporary of Parantaka Chola I, is considered as the successor of Sthanu-Ravi the friend and ally of Aditya I (S.I.I., Vol. III, No. 89).

The Krishna II (இரண்டாம் கிருஷ்ணன்) (878–914 A.D.) Rashtrakuta king married his daughter to Adiya Chola I (870–907 A.D.). Aditya Chola I had his son Kannaradeva (கன்னரதேவா) aka Krishna III (மூன்றாம் கிருஷ்ணன்) by Rashtrakuta princess. After the demise of Aditya Chola I, Parantaka Chola I ascended the Chola throne in 907 A.D. instead of Kannaradeva, the grandson of Krishna II, the half-brother of Parantaka I. Rashtrakuta king Krishna II decided to force the issue of his grandson and therefore waged a war against Parantaka Chola I with the support of his feudatory allies i.e., Banas and Vaidumbas. However Parantaka I thwarted Krishna II and his allies in a pitched battle at Vallala aka Tiruvallam (presently located at Vellore district) some time between 911 - 912 A.D. The invaders fled back to Rashtrakuta court and influenced Kannaradeva aka Krishna III to wage a war against Parantaka Chola I.

The situation increased responsibility of increasing the defence at the north-west gateway (வடமேற்கு எல்லை). The demise of Parantaka Chola I 's loyal vassal Ganga Pritvipati II (கங்க அரசன் இரண்டாம் ப்ரிதிவி) in 940 A.D. has also weakened the defence in the north-west gateway. The Rashtrakuta army under the command of Krishna III mounted attacks into the north-west gateway and its contiguous territories between 940 and 949 A.D. However Parantaka Chola I was very much conscious about the repercussions and made his defence preparedness against emergency situations.  At Mudiyur (முடியூர்) aka Mouli Gramam in Tirumunaipadi Nadu he maintained a strong army garrison (படைவீடு) under the command of his elder son Rajaditaya Chola. The army was stationed in the forms of local garrisons and in cantonments called Kadagams (கடகம்). He was ably supported by his brother Arikulakesari aka Arinjaya Chola. The arrangements served its purposes for a quite a number of years.

Vallabhan Kumaran (வல்லபன் குமரன்) aka Vellan Kumaran (வெள்ளான் குமரன்) or Vellankumaran (வெள்ளாங்குமரன்) was the son of Rajasekharan, the first king (feudator) of Valluvanadu as well as the Governor of Vallabha Rashtra under Chera king. There are inscriptions on king Rajasekharan. From incriptions it is learned that Vellan Kumaran was the native of Nandikkaraiputtur in Chera country (present Kerala). He also served as the general of the Chola Prince Rajaditya.

It was in 949 A.D. Krishna III invaded and received the support of his brother-in-law and his Western Ganga feudatory Butuga II (இரண்டாம் பூதுகன்) in this battle. Rajaditya faced the Rashtrakuta army and the decisive battle was fought at Takkolam (தக்கோலம்), small town located 14 km south-west of present Arakkonam town. It was well contested battle and the Chola cause suffered mainly on account of a chance arrow shot by Butuga having fatally wounded Rajaditya.  Atagur (a place near Mandya taluk, Mysore ditrict, Karnataka) inscriptions of Krishna III and Butuga II (இரண்டாம் பூதுகன்) serve a an important source telling how the Chola prince was treacherously murdered. Krishna III asumed the title of the conqueror of  'Kanchi and Tanjore.'

The inscriptions of Tiruvorriyur provides the narration about Vallabhan Kumaran, who was feeling guilty for his failure in saving the life of the Chola prince in Takkolam war. As a result he decided to renounce his worldly life and assumed the ascetic order. This Vallabhan Kumaran was known as Chaturana Pandithar (சதுரான பண்டிதர்)

Inscriptions:
E-stamping (2)

E-stamping (1)
From the 9th to 16th century CE, the temple was under the patronage of successive prominent South Indian dynasties such as the Rashtrakutas, the Gangas, the Cholas, the Hoysalas and the  Vijayanagara rulers.

Plenty of  Parantaka Chola I inscriptions are found in  Sivalokanatha Temple complex. 




  1. A 23rd regnal year inscription on the southern wall of the vimana of Sivalokanatha records the gift of 90 sheeps for a perpetual lamp by Tirumunaipadi Nattar. (S.I.I No. 180 of 1906).
  2. Another 24th year regnal year inscription of the same Chola ruler on the western wall of the vimana registers a sale of land to the temple of Sivalokanatha (S.I.I No. 181 of 1906).
  3. Paranthaka Chola I 29th regnal year  inscription (S.I.I No. 182 of 1906) on the southern wall of of the vimana of Sivalokanatha  records about the provision made for burning perpetual lamp in the temple of  mulasthanattu-Mahadeva of Sri-Arruttali at Tirumudiyur by Kari Piraman (காரி பிரமன்), a servant of prince Rajadittadevar.
  4. Some other 29th regnal year inscription of Paranthaka Chola I (S.I.I No. 183 of 1906) on the southern wall of the vimana enters a gift  of gold for burning a perpetual lamp in the temple of mulasthanattu-Mahadeva of Sri-Arruttali from the interest by a person and his name is not comprehensible from the inscription.
  5. Yet another 29th regnal year inscription of  Mathiraikonda kopparakesari (Paranthaka Chola I) (S.I.I No. 183 of 1906) on the western wall of the vimana registers the gift of gold coin made by one Somadi (சோமாடி) and to light a perpetual lamp in the temple of  mulasthanattu-Mahadeva of Sri-Arruttali at Tirumudiyur from the 'Polisai' (பொலிசை) aka interest periodically accumulated over time. The bhttars of Adhanur (ஆதனூர் பட்டர் ) were made responsible for supplying one 'uzhakku' ghee (உழக்கு நெய்) to the temple.
  6. One Vellan Kumaran, a native of Nandikkaraiputtur, Chera country, gifted sheeps for lighting a perpetual lamp in the temple when he was staying in this temple as the general of the Chola Prince Rajaditya.
  7. Another 31st regnal year (938 A.D.)  inscription of Parantaka I records the gift of copper bell stand to the temple of Sri-Arruttali-Perumanadigal  by some army men of Prince Rajaditya.
  8. The 32nd regnal year (939 A.D.)  inscription of Parantaka I records the gifts of gold and paddy made by Prince Rajadityadeva to Sri-Arruttali-Mahadeva at Tirumudiyur through the bhattars of Tiruvennainallur and Adhanur (திருவெண்ணைநல்லூர் மற்றும் ஆதனூர் பட்டர்கள்). 
  9. One 35th regnal year (942 A.D.) incomplete  inscription (S.I.I No. 185 of 1906) of Parantaka I records the gift of utensils to be used during worship in the temple of Sri-Arruttali-Perumanadigal Probably by some army men of Prince Rajaditya.
  10. Another 35th regnal year (942 A.D.) incomplete inscription (S.I.I No. 187 of 1906)  of Parantaka I records the gift of utensils used during worship in the temple of Sri-Arruttali-Perumanadigal probably by some army men of prince Rajaditya
  11. Yet another 35th regnal year (942 A.D. ) damaged inscription (S.I.I No. 186 of 1906)  of Parantaka I registers the gift of a village tax-free made by the prince Rajadityadeva (probably with the specified income fixed as paddy and gold) for the disbursals of worship in the main shrine of the temple of Sri -Arruttali at Mudiyur.
  12. One more 35th regnal year (942 A.D. )  inscription of Parantaka I  registers the land endowment made made by one Kovadi Udayar from Brahmapuri Nallurkandam in Mazhanadu for light two perpetual lamps to Sri-Arruttali-mulasthanattu-Perumanadigal at Tirumudiyur.
  13. The 36th regnal year (943 A.D.) bilingual inscription of Parantaka I on the northern wall of the vimana includes 15 lines in Sanskrit grantha language and 23 lines in Tamil language. This inscription informs about Vellan Kumaran, a native of Nandikkaraiputtur, Chera country,  who built the granite temple of Sri-Arruttali-Perumanadigal at Mudiyur. Vellan Kumaran occupied an important position (மூலப்பிரித்தியர்) in Chola government and general of the Chola army.
  14. The 39th regnal year (946 A.D.) unfinished inscription (S.I.I No. 192 of 1906)   of Parantaka I  mentions of  prince Rajadittadevar and the temple of Sriyarruttali-Perumal
  15. One more 41st regnal year (948 A.D.) inscription of Parakesarivarman who took Madurai and Ilam (Parantaka Chola I)  (S.I.I No. 184 of 1906) records the gift of sheep for burning a lamp in the temple of Sri-Arruttali Mahadeva at Tirumudiyur by Madevan Visameli, a resident of Kurramangalam in Mangala-nadu. 
E-stamping (3)
Krishna III aka Kannara (r.939 – 967 A.D.) was the last powerful and efficient king of the Rashtrakutas.  He held titles such as Akalavarsha, Maharajadhiraja, Parameshvara, Paramamaheshvara, Shri Prithvivallabha etc. This dexterous military campaigner  played a vital role in rebuilding the Rashtrakuta Empire. He defeated  Parantaka Chola I at Takkolam.

Three inscriptions of Krishna III were copied from this temple. The 20th regnal year (959 A.D.) inscription of Krishna III (Kannaradeva) registers the gift of sheeps for lighting perpetual lamp. Another 22nd regnal year (961 A.D.) incomplete inscription of Kannaradeva is not clear. Yet another 25th regnal year (964 A.D.) inscription of Kannaradeva registers the gift made by Sri Sundar Tiruvoyan, the king of Vaidumba.
E-stamping (4): C.Veeraraghavan sir

The 4th regnal year inscription of Chola prince Aditya Karikalan aka Aditya II, the eldest son of Sundara Chola and the brother of Rajaraja Chola I, registers the gift made for burning the perpetual lamp. The 16th regnal year inscription of Rajendra Chola I informs this village as brahmadeyam of Mudiyur-nadu  (a subdivision) of Tirumunaipadi Nadu in Jayangonda-Solamandalam. The fourth regnal year inscription of Rajendra Chola II records the tax-free land grant made by the citizens of Kosapadi village made to the temple of Sri-Arruttali-Mahadeva in Parantaka chaturvedhi-mangalam of Mutiyur-nadu (a subdivision) of Tirumunaipadi Nadu in Jayangonda-Solamandalam. The 10th regnal year inscription of Rajendra Chola II records the perpetual lamp gift made to Sri-Arruttali-Mahadeva in Parantaka chaturvedhi-mangalam by Sathi Periyan.

The fourth regnal year inscription of Kulotunga Chola I registers the decision of the sabha of Parantaka chaturvedhi-mangalam, of Mutiyur-nadu (a subdivision) of Tirumunaipadi Nadu in Jayangonda-Solamandalam, to allow one Bhattanpuvan (பட்டன்பூவன்), after rechristening him as Parantaka Peraraiyan (பராந்தகப் பேரரையன்) to live in Ur Nattam (ஊர் நத்தம்) after receiving 20 kasu (coins) from him.

This is incised immediately below No. 190 and gives no introduction to the king. The 10th regnal year inscription (S.I.I. no. 190A of 1906) of Kulotunga Chola II records a gift of 72 sheep for burning “three fourth” of a perpetual lamp in the temple of Sri Arruttali-Mahadeva by Selvan Pallikondan alias Rajaraja-Periyaraiyan a kudippalli (farmer) of Sevalaimedu in Kaliyur-kottam a division of Jayagondasola mandalam to atone for the death of Madani Kulatturan of the village, caused by him [unconsciously?]. 

The 16th regnal year inscription (S.I.I. no. 188 of 1906) of Kulotunga Chola II records a gift of “there fourth” of a perpetual lamp to the to the temple of Sri Arruttali-Mahadeva at Parantaka-chaturvedimangalam (Gramam) by one periyan Kanavadi of salur in Mangala-nadu of Vanagappadi a division of Rajendrasola-valanadu in expiation of his having shot by mistake (while hunting) a resident of Enadimangalam (name not clear). 

The third regnal year inscription of Rajaraja II registers that the lands belonging to temple Sri Arruttali-Aludaiyar in Kulotunga Chola Chaturvedhi-mangalam of Mutiyur-nadu were exempted from tax by one Anabhaya Kadavarayan aka Mohan Alapiranthan from Padikaval.

Three inscriptions of Jatavarma Sundarapandya I were copied from this temple:

The 15th regnal Year (1265-66 A.D.) inscription (S.I.I. no. 197 of 1906) of Jatavarma Sundarapandya I  on the west and south wall of the Selvambika Shrine begins with the prasasti Samasta-jagad-adhara etc. The inscription, damaged in places, registers another endowment by the king of 9 ½ veli of land, free of all taxes, for the expenses of the service instituted in the temple of Bokkanankuduttaruliya-Nayanar (பொக்கனங் கொடுத்தருளின நாயனார்) in the name of the ruling king by Vira-Pandya. Also refers about land grants made during the time of Kopperunjingadeva.  

The 18th regnal Year (A.D. 1268-69) inscription (S.I.I. no. 196 of 1906) of Jatavarma Sundarapandya I on the south wall of the Selvambika Shrine begins with the Sanskrit prasasti of the king, Samastajagad-adhara etc. The record is damaged. It appears to register an endowment of land made by the king expenses of worship and offerings to the deity of the day of a special festival instituted in his name, and for the formation of a garden where the god was to be taken in procession on such occasions. Provision is also made for the daily supply of 200 lotus flowers to the temple and of 2000 lilies on festival days by the grant of 2-¼ veli of land to one Vikrama-pandyan alias Sri Mulasthana-Velan for the purpose. The god is called Sriyarruttali Mulasthanam-Udaiyar Bokkanankuduttaruliya-Nayanar (பொக்கனங் கொடுத்தருளின நாயனார்).

The 19th regnal Year (A.D. 1269-70) inscription (S.I.I. no. 198 of 1906) of Jatavarma Sundarapandya I on the north and west walls of the Selvambika Shrine begins with the Sanskrit prasasti of the king,  Samastajagad-adhara etc. It is damaged in the middle portion. It registers another endowment of land tax-exemption by the king. However, the extent of the land and the purpose of the gift are missing. Out of this land one veli was to be set apart as jivita for Vikrama-Pandyan alias Sri Mulasthana-velan (mentioned in No. 196 above) for a (further) daily supply of 1200 lotus flowers to the temple.  

Reference
  1. Ancient Indian History and Civilization ed.2. By Sailendra Nath Sen. New Delhi, New Age International Publishers, 1988. pp. 479 - 480.
  2. Chronological history of Malabar: Ancient political history of Malappuram, Valluvanad. ( http://c-radhakrishnan.info/malabar.htm )
  3. Treasures of Chola Empire in Cauvery Delta: Veera Narayana 'Veeranam' Lake. Prasannasankar. Jul 19th, 2015 in Indiamike.com (http://www.indiamike.com/india/tamil-nadu-f40/treasures-of-chola-empire-in-cauvery-delta-t161671/5/)
  4. Lecture on the temple by Dr. Padmavathi Anaiappan,  retired Senior Epigraphist, Tamil Nadu State Archaeology Department, Chennai. 

Saturday, September 12, 2015

Heritage Trail: Thiruvallam, Melpadi, Mahendravadi and Pullalur 2

Facade of Somanathesvara Temple, Melpadi

Melpadi (மேல்பாடி), a quaint village (Latitude 13.04538 and 79.25931 Longitude) with a salubrious climate and picturesque landscape of paddy field, is on the Tiruvalam – Poigai road and located in Sholinghur taluk, Vellore district (வேலூர் மாவட்டம்), Tamil Nadu Pin Code 632520. The hamlet is part of Melpadi Panchayat and as per census 2011 it has a population of 5767 (around 1374 families). It is a fascinating village with a quiet and calm ambiance, surrounded by the Ponnai river, vivid green paddy fields, thick shady trees with wonderful views. It means shade is never far from human. Since it is on the western bank of Ponnai near the Palar River, people including 2,666 workers in this village are engaged in agriculture and cultivation of paddy and peanut. 

During the 10th century this village was  a buffer region between the Chola and Chalukya dynasties. Melpadi alias Rajasrayapuram (இராஜஸ்ரையபுரம்), under Pallava reign, was forming part of  Tunadu town (தூய்நாடு என்ற துநாடு), of Perumbana-padi nadu (பெரும்பாணப்பாடி நாடு) (a subdivision) of Jayankonda Cholamandalam (ஜெயங்கொண்ட சோழமண்டலம்)  (a district). The Karhad plates (கர்கட் செப்பேடுகள்) of the Rashtrakuta king Krishna III (Ep. Ind. Vol. IV. P. 281.) marks the antiquity Melpadi and reports about the camping Rashtrakuta king Krishna III (இராஷ்டிரகூட அரசன் மூன்றாம் கிருஷ்ணன்) at Melpadi (மேல்பாடி) in 959 AD. The nearby Vallimalai (வள்ளிமலை) hill was known for Jain temple.
Melpadi, (Mel = West; Padi = Military Garrison) surrounded by Vallimalai mountains, served as the North West Garrison of Chola to guard the military attacks by Chalukyas (சாளுக்கியர்கள்), Rashtarkutas (இராஷ்டிரகூடர்கள்) and  other rulers. Similarly Tiruvorriyur (திருவொற்றியூர்) (near Chennai) also served as North East Garrison.

There are two temples in Melpadi 1. Somanathesvara Temple (சோமநாதேஸ்வரர் கோவில்) and 2. Cholesvara Temple (சோழேஸ்வரர் கோவில்). The ancient name of the Cholesvara temple was Arinjigai-Isvara (அரிஞ்சிகை ஈஸ்வரம்) (S.I.I. vol III, pt I  Nos. 15 - 16) or Arinjisvara (அரிஞ்சீஸ்வரம்) (S.I.I. vol III, pt I  Nos. 17 - 18).

Somanathesvara Temple 
Somanathesvara

Somanathesvara Temple (சோமநாதீஸ்வரர் கோவில்) is close to the bank of the Ponnai river (பொன்னை நதி). Inscriptions cite this temple as "Cholendrasinga Isvaramutaiya Mahadevar Temple" (சோழேந்திரசிங்க ஈஸ்வரமுடைய மகாதேவர் கோவில்).  The huge temple complex includes main sanctum of Soamanathesvara, mukha mandapa, maha mandapa, shobana  mandapa and the sanctum for consort Tapaskrudha Devi (தபஸ்கிருதா தேவி), and the cloister mandapa (திருச்சுற்று மாளிகை). The mukha mandapa,  maha mandapa, and the mandapa at the south could have added by Rajaraja Chola III. 

The mukha mandapa is supported vratta sthamba (round pillars) (உருளை வடிவத் தூண்கள்). The cloister mandapa (திருச்சுற்று மாளிகை) is one of the attractive ruins of this temple and structures on the south, west and east corridors have only dilapidated platforms and the northern structure has platform and pillars. The Chola style marriage hall aka Kalyana mandapa (கல்யாண மண்டபம்) is the ornate pillared pavilion with a raised central platform. The Vijayanagara style Unjal mandapa (ஊஞ்சல் மண்டபம்) is very attractive structure.  

Vimana: Shikara + Griva

The imposing 20 feet perimeter walls (சுற்று மதில்) built using granite boulders, brick and mortar enclose temple complex. The three tier main gopuram (மூன்றடுக்குக் கோபுரம்) at the entrance could have remained unfinished for a number of years and the present three tier turret could be the later addition. There is another three tier (மூன்றடுக்குக் கோபுரம்) temple tower at the entrance of the inner corridor.

Vesara Vimana (கற்றளி)
The present east facing main sanctum of the Somanathesvara is a Chola structure of the 10th century. The Vesara Vimana (வேசர விமானம்) of the prime deity is made up of granite structure (கற்றளி) from upa-peeta to stupi. It has a circular sikhara above the griva and four nandhi images are placed in cardinal directions (நாற்கர நந்தி). It stands on a molded pada-bandha adishtana (பாதபந்த அதிஷ்டானா) with upa-peeta (உப பீடம்), jagadi (ஜகதி), tripatta kumuda (முப்பட்டைக் குமுதம்), khanta (கண்டம்) and a vyala-vari (யாளி - வியாள வரி) at the kodungai (கொடுங்கை).

The external wall surface is divided by pilasters (அரைத்தூண்கள்) in to well shaped ornate niches (தேவகோட்டங்கள்) with incomplete 'makara torana' (மகர தோரணம்). The sculptures in the niches include Vinayaka, Dakshinamurti, Vishnu, Brahma and Durga and these are later additions:

Vinayaka

Vinayaka: Edampuri Vinayagar (இடம்புரி விநாயகர்) (the trunk in the left side) appear standing in the niche on the south wall and the hind hands holding pasa (பாசம்) (noose) and mazhu (மழு) (a weapon) and fore-hands holding broken tusk and mothaka (sweet dish) மோதகம் (கொழுக்கட்டை) .
Dakshinamurti

On the southern wall is found the figure of Dakshinamurti (தட்சிணாமூர்த்தி). He is seated in utkutika posture on apasmarapurusha. This deity holds rosary (akshamala) (அக்மாலை) in the upper right hand, snake in the upper left, keeps the lower right in vyakhyana mudra (வியாக்யான முத்திரை) and the left hand broken. He wears jatamakuta (ஜடாமகுடம்). pendants on the ears, a graiveyaka of beads, yagnopavita and a girdle with naga buckle. Four sages attends on him.

Vishnu

On the back wall of the sanctum sanctorum in the Koshta is found the figure of sthanaka Vishnu (நின்றகோல விஷ்ணு). He has four arms carrying conch (sankha) and discus wheel (chakra) the other two in abhaya and varada mudras. He wears karanda makuta (கரண்ட மகுடம்), sarapali (சரப்பளி) in the neck and yagnopavita on his chest. The piece of cloth deftly wrapped around his waist in panchakacham (பஞ்சகச்சம்) fashion.

Brahma

The Koshta at the northern wall of the sanctum sanctorum houses the figure of Brahma (பிரம்மா (நான்முகன்). This deity holds rosary (akshamala) in the upper right hard, water-jug (kendi) (கெண்டி) in the upper left, keeps the lower right in abhaya mudra (அபய முத்திரை) and the left hand in kadiya mudra (கடிய முத்திரை). The four headed deity wears jatamakuta, sarapali in the neck, yagnopavita on the chest, udara bandha (உதர பந்தம்), kati bandha (கடி பந்தம்), tandai (தண்டை) in anklets. The piece of cloth deftly wrapped around his waist in panchakacham (பஞ்சகச்சம்) fashion.
 


The next koshta houses the goddess Vishnu Durga (விஷ்ணு துர்க்கை). The goddess holds discuss in the upper right hard, Chanka (conch) in the upper left, keeps the lower right in abhaya mudra and the left hand in kadiya mudra. She wears karanda makuta, and appear standing on the bovine head. 


On both sides of the entrance to the main sanctum, there are two tall, robust Dwarapalakas (துவாரபாலகர்கள்) with bulky physique,  bulging eyes (முட்டைக் கண்கள்), bushy eyebrows (அடர்ந்த புருவம்), protruding curved sharp canine teeth (நீண்ட கூறிய கோரைப்பற்கள்), and appear in a standing position holding the club downward. The Dwarapalaka on your left side wears patra and makara kundalas in his ears; sarapali in his neck; broad belt or udara bandha wrapped around his  stomach and kati bandha wrapped around his waist; and  tandai worn in his ankles. His right hand shows darjani hasta mudra (தர்ஜனி ஹஸ்த முத்திரை) and the left hand rests on the club handle; the left leg rests on the ground and right leg laid on the club.

The Dwarapalaka on your right rests his right hand and left leg on the club while his left hand shows vismaya hasta mudra (விஸ்மய ஹஸ்த முத்திரை) and the right leg rests on the ground. He wears makara kundala, yagnopavita on the chest and tandai in his ankles. The jatamakuta bears lion motif. The yagnopavita,  worn by the two Dwarapalakas, is the plaited human hair pieces known as 'Panchavadi' (பஞ்சவடி).  According Lakulisa Pasupata iconography (லகுலிச பாசுபத சிற்ப சாஸ்திரம்), Lord Shiva wears Panchavadi in place of yagnopavita. 


Goddess Tapaskrutha Devi (தபஸ்கிருதா தேவி) appears in a separate east facing sanctum at the north-east corner of the temple. The presence Vijayanagara inscription (விஜயநகர் அரசர்கள் காலக் கல்வெட்டு) at the kumuda (குமுதம்) suggests that it could have been added at a later date and most probably during Vijayanagara rule.

Tapaskrutha Devi Sanctum
The Dravida  vimana (திராவிட விமானம்) is a combination of granite sub-structure and brick super-structure. The adishtana (அதிஷ்டானம்) include elements like upa-peeta (உப-பீடம்), jagadi (ஜகதி), tripatta kumuda (முப்பட்டைக் குமுதம்), khanta (கண்டம்) and pattika (பட்டிகை). The outer wall of the vimana is divided by pilasters (அரைத் தூண்கள்) in to simple niches (தேவகோட்டங்கள்) and remain without any deities.

The cloister mandapa (திருச்சுற்று மாளிகை) in the north is open and extends from goddess shrine and  leads to Navagriha shrine (நவகிரக சன்னதி ).
 
Mandapa
 
Sculptures: Kankalanatha, Gangadhar, Rishabanthika, Bhairava, Sapta Matrika

The hall at the south eastern corridor show cases the amazing sculptures of Kankalanatha (கங்களநாதர்) (the Conqueror of Time and Death), Gangadharamurti (கங்காதரமூர்த்தி), Rishabanthikamurti (ரிஷபாந்திகமுர்த்தி), Bhairava (பைரவர்), Surya (சூரியன்), Naga Ygnopavita Vinayaka (நாக யக்ஞோபவித  விநாயகர்), Ayyanar (அய்யனார்), Saptamatrikas (seven mothers) (சப்தமாத்ரிகைகள் (ஏழு கன்னிமார்) flanked by Virapathira (வீரபத்திரர்) (a ferocious form of Lord Shiva) on the left and the Vinayaka on the right.

Kankalanathar (one of the variants of Lord Bhairava - a form of Lord Shiva) deity is unique and appears with the skeleton. Kankalanatha is one of the aspects of Lord Bhairava, a for of Lord Shiva and the others being Brahmashiraschedaka-murti (பிரம்ம சிரச்சேதமூர்த்தி) and Bhikshatana-murti (பிக்ஷாடன மூர்த்தி) - known for seeking alms. The Kankala-murti  iconography  is quite similar to Bhikshatana-murti and the subtle difference is that Bhikshatana is nude but Kankala-murti is clothed. The 'followers of the Bhairava-tantra' are Kapalikas (கபாலிகர்கள் ) and they follow Soma Siddhanta (சோமசித்தாந்திகள்) (the philosophy of the Kapalika sect of Saivism).

Gangadharamurti: Sthanaka Gangadharamurti is the form of Shiva carrying Goddess Ganga (கங்கை) on his head. The upper right hand holds trihul, the upper left hand is broken, the lower left hand rests on the shoulders of consort  and the lower right hand shows akshaya varada mudra. The Lord wears the Jatamakuta, sarapali, yagnopavita on the chest, udara bandha on the upper stomach. A piece of clothe drapes his waist. The consort's right hand embraces the Lord, the left hand holds the flower, the hair is plaited and tied as a bun, sarapali in the neck, and the piece of clothe drapes around her waist.

Rishabanthikamurti:  Sthanaka Rishabanthikamurti is another form of Shiva.  The upper right hand holds trihul, the upper left hand holds the serpent, the lower left hand rests on the shoulders of consort  and the lower right hand holds the flower. The Lord wears the Jatamudi, sarapali, yagnopavita on the chest, udara bandha on the upper stomach. A piece of clothe drapes his waist. The consort's right hand embraces the Lord, the left hand holds the flower and the piece of clothe drapes around her waist.

Bhairava: Sthanaka Bhairava  (The Wrathful) is the "terrifying" or fearful aspect of Lord Shiva. He is often depicted with frowning, angry eyes and sharp, tiger's teeth and flaming hair. The upper right hand holds damaru (small drum), the upper left hand holds the pasa (noose), the lower left hand holds the skull (kapala)  and the lower right hand holds the trishul. The Lord wears the jatabaram, sarapali, yagnopavita runs up to thigh, wears serpent around the waist. Also wears tandai in the anklets.

Surya (Sun God): Sthanaka Surya holds lotus in both of his hands. He wears jatamakuta, makara kundala in the ears, sarapali in the neck, yagnopavita on the chest and tandai in the anklets.

Ygnopavita Vinayaka: Lord appear seated by folding the left leg. The upper right hand holds mazhu,, the upper left hand holds the angusa, the lower left hand holds the kapota  and the lower right hand holds the broken tusk.

Ayyanar: Ayyanar, the folk deity of Tamil Nadu, appear seated and wearing a meditation band. The right hand holds the flower bunch, the left knee raised and the left wrist or elbow of the left arm resting atop the knee. The right leg is resting on the peeta. The Lord wears Jatamuti, kundala in the ears, sarapali in the neck and yagnopavita in the chest.

Virabhadra: Sthanaka Virabhadra the powerful warrior created by the wrath of Rudra (Shiva) to spiflicate the velvi (fire rituals) of Daksha, a demon. The upper right hand holds mazhu,, the upper left hand holds the trishula, the lower left hand holds the water jug  and the lower right hand holds the rosary. The Lord wears pathra kundala in one ear and makara kundala in another ear. Also wears sarapali in the neck, yagnopavita in the chest, udara bandha in the stomach. A piece clothe is draped around his waist.

Saptamatrikas (seven mothers) were created from the energies of  Brahma, Vishnu, Mahesvara, Kumara, Varaha, Indra and Yama and hence they are always depicted as a heptad. They also represent  the seven  energies  or saktis of the important familiar deities such as Brahmani (Saraswati), Mahesvari (Raudani) Kaumari (Karttikeyani), Vaishnavi (Lakshmi) Varahi, Indrani and, Chamunda (Chamundi). The group of seven goddesses was derived from the gods that were considered important during the Gupta period. The Agama canons specify the way in which the goddesses should be sculpted. They appear seated on a peeta in Lalitasana posture and the legs are resting on the lotus peeta. Brahmani sculpted like Brahma; Mahesvari like Mahesvara; Vaishnavi like Vishnu; Varahi with angry face and holding the plough as weapon and appear like Varaha; Indrani like Indra;

The Agama literature gives a brief description of these goddesses : that Brahmani should be sclupted like Brahma; Mahesvari like Mahesvara; Vaishnavi like Vishnu; Varahi as a short woman with an angry face and bearing a plough as her weapon; Indrani like Indra; Kaumari like Kumara (Muruga) and Chamundi as a terrific goddess like Chamunda. Saptamatrikas are always flanked by Virabhadra on the left and the Vinayaka on the right. 


Next Part: Melpadi Arinjigai-Isvara (அரிஞ்சிகை ஈஸ்வரம்) and Inscriptions
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