Showing posts with label Rock cut cave. Show all posts
Showing posts with label Rock cut cave. Show all posts

Thursday, August 25, 2016

Mogalarajapuram Caves: Hindu Rock cut Cave Temple near Vijayawada Andhra Pradesh



Mogalrajapuram.jpg (500×273)



mogalarajapuram-caves.jpg (550×413)


Mogalarajapuram caves is located in the middle of the city of Vijayawada at "Kasthuribaipet", Krishna District, Andhra Pradesh, India PIN 522502. The geographical coordinates of Mogalarajapuram are 16° 30' North (Latitude) (16.5089) 80° 37' East (Longitude) (80.6452).  It has an average elevation of 6 m (19 ft). Some historians believe that Mogalarajapuram  caves are datable to early 5th century A.D.  The cave is protected by Archaeological Survey of India (ASI).  The caves are in ruins yet it is worth visit.

The Mogalarajapuram five rock cut sanctums are the unexplored places in Andhra Pradesh.  .  The cave temples are located on the hillock..  The rock-cut cave has a facade, mukha mandapam and sanctum cells. The facade of the cave has been cut inwards. The conspicuous components of Mogalrajpuram cave adhishtana (basement) are upanam, kantha, vritta kumuda and pattika. The front facade is supported on two pillars thus forming three spaces between pillars (anganas).  The  anganas in the facade are almost equal. The middle angana forms the entrance to the cave with the flight of three-step staircase in middle front of the cave with balustrades on either sides.  The pillars are in usual early rock-cut cave style, cubical top and bottom (Brahma kanta) with intermediate octagonal shaft (Vishnu kanta). . Above the two pillars there are vettu potika (corbel bracket) holding the overhanging cornice (kapota) with three kudu decorations. One of the kudu is adorned with miniatures of  Trinity image.. 

The side niches have the bas relief images of two dvarapalakas (door guards), one on each side of the outer wall of the cave. The external rock slope outside the cave temple bears two koshtas  
The bas relief image of Ardhanarishwara at the centre cave of Mogalarajapuram is considered as the best sculptural depiction and the unique image is only one of its kind in south India. Ardhanarishwara, an androgynous Hindu form, is composed of Lord Shiva and his consort goddess Parvati (Shakthi). The distinct Hindu deity illustrates half male and half female split down the middle. The female principle of goddess Parvati is inseparable from the male principle Lord Shiva. The sculptural depiction of Ardhanarishwara represents the synthesis masculine and feminine energies.

Another cave bear the images of  Lord Nataraja and Lord Vinayaka. Lord Nataraja (Lord Shiva) is illustrated as the source of all movement within the cosmos. The icon represents by the arch of flames.  The Lord carry out his ‘Tandavam’ (divine dance) to spifflicate the aweary universe and to recreate it back..Lord Ganesha aka Vinayaka emerged as a distinct deity in the 4th and 5th centuries A.D., during the Gupta period  The bas relief image of Lord Vinayaka dating back to the 5th century A.D. is unique.   

ASI Monument: Timings: 0900 - 1800 hrs. Entry fee Rs. 3/- per person.. Photography allowed inside the ASI monument.

How to get there?

Nearest railway station: Vijayawada Junction Railway Station
Nearest airport: Vijayawada Airport.



Reference

  1. Mogalarajapuram Caves (Goibibo.com)
  2. The vanishing wonders of Mogalrajapuram caves- Vijayawada - part 1. Poetry in Stone Blog
  3. The vanishing wonders of Mogalrajapuram caves- Vijayawada - part 2 Poetry in Stone Blog

YouTube

Cave temple Mogalarajapuram Vijayawada Andhra Pradesh by Indiavideodotorg



Tuesday, May 17, 2016

Undavalli Caves: Four Storey Hindu Rock cut Cave Temple near Vijayawada Andhra Pradesh




maxresdefault.jpg (3000×1688)










Undavalli (historically known as Anantasayangudi) - just the nondescript village in the Undavalli village panchayat located in Tadepalle mandal, Guntur district, Andhra Pradesh, India PIN 522501. It is the suburb of Vijayawada. The geographical coordinates of Undavalli are 16.4957° North (Latitude), 80.5800° East (Longitude).  It has an average elevation of 24 m (79 ft). It is situated on the south bank of Krishna River. The village is connected to Vijayawada by Prakasam Barrage road and the nearest railway station is Krishna Canal railway station (2.9 km). Vijayawada junction railway station is 4,4 km from Undavalli.  Undavalli is 22 km north west of Guntur City and 245.6 km away from Hyderabad, the state capital.. The other nearest state capitals from Undavalli are Mumbai (322.6 km), Chennai (379.5 km)., Bangalore (508.2 km) and Pondicherry (513.0 km), 

Undavalli has several small caves and the well known has the four storey, one recessed above the other, with numerous sculptures and murals. The four storey cave is the wonderful engineering achievement and is considered as the most magnificent and substantial Hindu monument.  The time-honored Undavalli Caves were supposedly sculpted from monolithic solid rock way back in 4th-5th century.


History of Vishnukundina Dynasty

Gabriel Jouveau-Dubreuil in his book "Pallava Antiquities" - Gabriel Jouveau-Dubreuil, V. S. Svaminadha Dikshita. (!917). AES Delhi prefers to call Undavalli a Shiva cave temple. His conclusions: "I do not think that the caves of Undavalli were dug by the Pallavas. On closely examining the sculptures, I have made a discovery which I believe will prove to be greatest importance in ascertaining the origin of these (cave) temples... My opinion, which is quite different is that the caves of Undavalli are the works of Vishnukundinas... The Vishnikundinas were the predecessors of Chalukyas in the Vengi country."

(If already known about Vishnukundinas please skip this para) 

The Vishnukundina Empire (Telugu: విష్ణుకుండిన సామ్రాజ్యము) (420 - 624 A.D.), one of the Middle kingdoms of India, reigned the Deccan, Orissa and parts of South India. They carved land out from the Vakataka Empire. It played the vital part in the history of the Deccan during the 5th and 6th centuries A.D. Vishnukundina is a Sanskritized name for Vinukonda. Scholars made number of attempts to decipher the origins of this dynasty, yet no proper conclusions have been reached so far. The early rulers of Vishnukundina dynasty migrated to the west in search of occupation and under the Vakatakas they might have attained feudatory status. There are controversies in fixing the reign Vishnukundinaas. Some scholars might have fixed time between the end of the Salankayana and the rise of the Eastern Chalukyan power in 624 A.D.. Some historians point out the Vishnukundinas reign was from 420 to 624, while some other historian prefers to assign their reign from early 5th century to the 7th century. Indra Pala Nagara plates mention Indra Varma as the first ruler of the Vishnukundina dynasty.  Madhav Varma II, who ruled for nearly half a century from the middle of the 5th century, is considered as the most efficient ruler and his reign was a golden age in the history of the Vishnukundinas.  

The blog post "Reign of Vishnukundin" dated January 13, 2011 speculates the relationship of Madhavavarma Pallava I with Vakatas since the Pallava prince married a Vatakata princess and they occupy the Vakataka areas of Srisailam after the demise of Vatakatas. So the speculation is that Mahendravarma Pallava I is related to Vatakatas and they are protege of Vatkatakas. As per a theory, proposed by G Jouveau-Dubreuil, Mahendravarman got the inspiration of the cave architecture from Undavalli and Bhairavakonda caves.

Initially  the Vishnukundinas, the rulers of Vakataka empire were supporters of Buddhism and the Undvalli caves were excavated for purposes of Buddhist monastery. The vihara kind of cave architecture, later modified as Hindu shrine. Vishnukundinas were responsible for the modification of several rock cut caves dedicated to Lord Shiva. According to SR Ramanujan (The Lord of Vengadam. pp.23) the dates, to the caves at Bhairavkona, Mogalrajapuram, Vijayawada (Bezawada), Undavalli, were assignable to this period. The royal emblems of Vishnukundinas found in the caves suggest the contributions of Vishnukundinas.  

Architecture

The east facing solid rock cut cave has the 29 m (95 feet) long and 16 m (50 feet) wide facade opening. The excavation has been carried inward to various depths leaving portions of three rows of massive square stone pillars partially excavated. The low level hall of the ground floor is supported by eight pillars and there are seven anganas (inter-space between pillars). The first floor houses three sanctum cells at the rear side of the cave. The pillared hall forms the front yard for each sanctum cell. The floor is dedicated to the Hindu trinity Lord Brahma, Lord Vishnu and Lord Shiva. The small shrine at the northern end  houses the image of the attendant.

On the parapet between the ground and the first floors there are large squatted lions and seated 'ganas'. There is a heavy projection above ground floor appearing window like Chaitya. The first floor has larger area and might have partitioned into four different chambers and the door placed on the dividing wall between third and fourth chamber seems to have been removed. Purpose is to merge both chambers into one. The 5.9 m (19.5 feet) square hall on the southern side (on your left side) is supported by four plain four sided pillars (two in the front and two in the back). A 3.048 m square (10 feet square) sanctum cell is built at the back. A tunnel has been formed for flow of water and the outlet channel has been cut under the middle of the threshold. The flight of eight steps leads to the shrine from the front hall. On the rock above is a frieze of elephants and lions. 

The main (central) hall measuring  9.44 m (31 feet ) deep long and 8.83 m (29 feet) wide is found on the northern side (on your right side) and its roof height varies from 7 feet to 8 feet. The roof of this spacious hall is supported by 16 massive pillars sculpted with the upper brahma-kanta (square) the lower brahma-kanta (square) and kattu (octagonal shaft) in the middle.  The square face of the pillars are sculpted with lotus arabesque medallions. At another square face the bas relief image of a man, his consort and the attendant is sculpted. The pillars are arranged in four parallel rows. The rear end pillars found weak and dilapidated. At the rear side there is a square shaped sanctum measuring about 13.5 feet without idol. Two niches on either side of the entrance house two images in standing posture. One of the image is Lord Narasimha. The makara-torana motif adorns above this niche.  The third chamber originally comprise two cells and its roof supported by four pillars bearing lotus medallions. The pedestal for the image is seen at rear side of the cell. The western wall bears the bas relief image of Vishnu appear seated on a couch accompanied by his consort and attendants including the musical performer.

The flight of step on the left side of the main hall leads to the hall in the second floor of the cave measuring about 53 feet (width) x 30 feet (depth) size. There is a long front veranda supported by six pillars and two pilasters. At the rear end of the veranda there are four pillars in the middle and the wall at each end extending throughout the length..  The image of the dvarapalaka appear between the pillars. The sculpted images of Vishnu and other deities adorn at the upper portions of front wall. The image of four armed Vishnu (upper hands holding Chanka and Chakra), seated on the coiled body of the celestial hooded serpent Anantha, appear at the left end of the back wall. At the side there are thirteen images measuring about two feet in height (two  of them damaged) appear listening the discourse of the Lord. The right end of the wall of this hall houses the gigantic 5 m (17 feet) long recumbent image of Anantasai (Lord Vishnu appear reclining on the celestial serpent Sesha) whose head resting under the seven hooded canopy. There are two colossal attendant figures, measuring about eight feet in height, appear seated above and below the arms of the Lord. Lord Brahma appear seated on the lotus flower that emanates from the naval of Vishnu. 

The flight of circular steps from the left side, sculpted out of rock, leads to third floor and terminates under the dome. The third floor has three circular cells in the back wall. 



undavalli-caves-2347_m.jpg (600×369)

Inscription

An inscription on the veranda of the kitchen in the rock-cut- temple of Anantasayana, Undavalli, Guntur taluk, Guntur district (South Indian Inscriptions Volume 10 No 560 - A.R.E No. 46 of 1909) states that Machama-Reddi, son of Anna-Reddi endowed certain lands (?) for the performance of various kinds of worship in the temple of Anantasayin at Undavalli 

An inscription inscribed in single line in the Vengi character dated 7th or 8th century probably during the time of the Chalukyas. 

A very long Telugu inscription dated around 13th century engraved on the north side of the platform records huge donations to the temple.

The cave is protected by Archaeological Survey of India (ASI) 
Timings: Undavalli Cave Timings 09.00 am - 06.00 pm

Reference
  1. Mogalarajapuram Caves Vijayawada http://www.indianholiday.com/tourist-attraction/andhra-pradesh/caves-of-andhra-pradesh/mogalarajapuram-caves.html
  2. Reign of Vishnukundin. Controversies in History. http://controversialhistory.blogspot.in/2011/01/reign-of-vishnukundin.html
  3. Rock cut Cave Temple – Undavalli http://asi.nic.in/asi_monu_tktd_ap_rockcut.asp
  4. The Lord of Vengadam by SR Ramanujan. Patridge India. 2014. 268p.
  5. The rock cut caves at Undavalli, Vijayawada, Andhra Pradesh - Details http://indiathatwas.com/?tag=undavalli
  6. Undavalli Caves (Wikipedia)
  7. Undavalli Caves: Ancient Cave Temples Wondermondo http://www.wondermondo.com/Countries/As/India/AndhraPradesh/Undavalli.htm
  8. “Undavalli Caves- Beautiful Rock cut cave Temple” https://www.tripadvisor.in/ShowUserReviews-g303876-d2726287-r332678697-Undavalli_Caves-Vijayawada_Andhra_Pradesh.html#
  9. Undavalli Caves Overview https://www.ixigo.com/undavalli-caves-vijayawada-india-ne-1282286 
  10. Vishnukundina: Origin of Vishnukundins. http://america.pink/vishnukundina_4682228.html
  11. Whatisindia.com South Indian Inscription Voulme 10 no 560  http://www.whatisindia.com/inscriptions/south_indian_inscriptions/volume10/reddis.html


Thursday, May 12, 2016

Bhairavakona Cave Near Ongole, Andhra Pradesh: Pallava Style EIght Rock cut Cave Temple Group

Bhairavakona1.jpg (912×684)

BhairavaKona-Bhairava Kona Temple-6.jpg (600×450)

BhairavaKona15-copy.jpg (900×507)

Bhairavakona (பைரவகோணா) , a group of eight rock cut temples are located close to the borders of Nellore (நெல்லூர்) and Prakasam (பிரகாசம்) districts. The caves are situated amidst dense Nallamala forest (நல்லமலா காடு) nearer to Ambavaram (அம்பாவரம்) - Kothapalli (கொத்தபள்ளி) villages. From Onipenta (ஒனிபெண்டா)  village on the Mydukur - Porumamilla road (bus route), the cave is 12 km away. Other nearest towns include Kadapa (கடப்பா) (60km), Yerraguntla (எர்ரகுண்டலா)  (50km), Mydukur (மைடுகூர்) (30 km) are nearest big towns. The geographical Coordinates of Bhairavakonda are 15.° 5'15" North and 79°12' 14" East and it has an elevation of 230 meters (757 feet).

Bhairavakona4-217x300.png (217×300)
 Trimukha Durga devi / Shiva Lingam 
There are eight rock cut cave temples having resemblance with Mamallapuram (மாமல்லபுரம்) rock cut cave temples. There are eight cave temples excavated on the side of a granite cliff comprising carved architectural elements such as decorative pillars and finely sculpted panels. The Pallava (பல்லவர்) architects started carving rock cut caves and the rock cut architecture of Mamallapuram commenced from late 7th century A.D. Bhairavakonda cave temples have resemblance with Mamamallapuram cave temples  with certain Rashtrakuta-Chalukyan features.

Lord Shiva is the presiding deity here in the form of Kala Bhairava and hence the name Bhairavakona. Roughly the caves can be categorized into two divisions based on their rock cut architecture. The first group caves commencing from north have only shrine cells and completely bereft of any mandapam in front. The cave shrine appear with simple entrances guarded by sthanaka (standing) dvarapalas on either side. Each sanctum cell is provided with a Shiva Lingam. The Shiva Linga peeta sculpted from mother rock and the bull vehicle (Nandi) statue sculpted from the rock and set in front of each sanctum cell.  The back wall of the sanctum in the central cave carved with bas relief image of Trimurti and this image reminds us the Mahesa image at Elephanta cave. The unique cave temples wherein Lord Brahma, Lord Vishnu and Lord Bhairava are worshiped together at one place. The central cave temple also has the idol of goddess Trimukha Durga Devi. A cave temple is also dedicated to goddess Annapurna and the shrine accessible through ladder platform.  The northern most end of the rock bears two splendid images sculpted in conspicuous bas relief – a eight handed Hari Hra and ten-handed slim figure of dancing Siva facing the water falls,. The Trimurti rock cut caves (grihas) reminds us the Pallava caves at Mandagapattu and Mamallapuram To sum up the rock cut cave architecture can easily be assignable from 8th to 9th century AD.

One can easily recollect the rock cut architecture of Mahendravarma Pallava (மகேந்திரவர்ம பல்லவன்). The ornate pillars with Mahendra squatting lions at the base and also the bulbous capital surmounted by a  large abacus, a typical Pallava signature can also be found here. The pottika (corbel) above the pillar is curved but without roll and median patta.  The typical kapota or cornice is roughly sculpted with kudus. Frieze of Buta ganas found below kapota. The two armed gorgeously decorated dwarapalas (door keepers) do not provide front view but only side view and turn straight towards the shrine. Both are standing is similar tribhanga posture over the support of their club.  No protruding curved sharp canine teeth or horns noticed and they are decorated with very fine carvings representing cloth and jewellery.


AP_VIJAZ_Kalabhairava_Bhairavakona.jpg (1600×899)
Cell bereft of any front mandapam
BhairavaKona8-copy.jpg (900×506)
Cell with front mandapam Lion pillar - Other Pallava signatures
IMG_1897.jpg (1600×899)

Another attraction is that smooth moonlight used to fall on the idol of Goddess Durga Devi on the day of Karthika Pournami and Maha Shivarathri.   The peaceful lush green forest surround the awesome waterfall cascading from 200 mts and flows 1 mt below the central cave temple.  The waterfall offer a pleasant weather. The thundering medicated crystal clear water descends from the height of 200 mt and retreats their health under fullmoon light.  

Legend

The legend says that Lord Shiva and his consort goddess Parvati descended from their mount Kailash and were lured by its lush green vegetation, the cascading waterfall and the cave temples. They installed a Shiva Lingam resembling the one at Amarnath. The scholars assign date back to 7th - 8th century A.D.

Festivals

Karthika Fullmoon day,  found auspicious for Lord Shiva and Lord Vishnu, is celebrated in a large scale. Maha Shivaratri is another important festival attracts devotees in huge number.


Small guesthouse is available for stay


Address


Ambavaram Kothapalle, Prakasam district, Andhra Pradesh


How to Get There


By Road: Nellore to Udayagiri; Udayagiri to SR Puram; SR Puram to Kothapalle; Kothapalle to Bhairavakonda


Nearest raiway station Yerraguntla railwaystation (50 km.) Kadapa railway station (60 km).


Nearest Airport: Tirupathi


Reference
  1. Bhairava Konda Temple (http://careerinformation4u.blogspot.in/2013/06/bhairava-kona-temple.html)
  2. Bhairava Konda cave temples, Ambavaram, Kottapalli, Ongole Andhra Pradesh November 5, 2014 (http://www.templedarshan.in/bhairavakona-cave-temples-ambavaram-kottapalli-ongole-andhra-pradesh/)
  3. Many people throng Bhairavakona. The Hindu November 13, 2008




Tuesday, September 29, 2015

Heritage Trail: Thiruvallam, Melpadi, Mahendravadi and Pullalur 4

Mahendravadi Rock cut Cave (Views)
Mahendravarman I split the rock to build temple for Murari
After a fresh juice we left Melpadi and proceeded to Mahendravadi. Journey between Melpadi to Mahendravadi was very long, tedious, and in many parts extremely difficult. We also relied on GP system for directions, when we could not find people to enquire for directions. Melpadi villagers suggested to follow Melpadi New Bridge Road, the muddy road surrounded by barren land and the road was almost empty. Ponnai - Wallajah road was better. Journey across rural Tamil Nadu was interestin and the roadsides are  dotted with cultivable lands, huts, cattle sheds, shady trees, slow moving flocks of buffaloes, cows and goats as well as bullock carts loaded with bales of fodder and occasional bazaars. We reached Sholingur and proceeded further in the Sholingur - Kaveripakkam road dotted with paddy fields and occasional villages. We took diversion at Banavaram. It was just 7 km to reach Mahendravadi.  We reached Mahendravadi finally and the lunch was served there. After lunch we proceeded into the fenced premises maintained by Archaeological Survey India. The grill gate of the sanctum was kept closed. We could not spot any ASI staff.

On the way we saw the huge Mahendravadi lake receiving supply from Palar river. The Pallava kings have also excavated huge tanks and lakes such as: Chitramega Tadakam (Mamandur), Vairamekan Tadakam (Uttaramerur), Thralaya Thadakam (Thenneri), Paramesvara Tadatakam (Varam Eri), Avani Narayana Chaturvedi Mangalam Lake (Kaveripakkam), Kanakavalli Tadakam (Vellore Kurram), Marutanadu Lake (Vandavasi Kurram) and some more lakes.    

Mahendravadi  (மகேந்திரவாடி), a historical village (Geo-location co-ordinates : Latitude 12.891 and 79.758 Longitude) located in Arakkonam taluk (அரக்கோணம் வட்டம்), Vellore district (வேலூர் மாவட்டம்), Tamil Nadu Pin Code 632502, is popular for its rock cut cave temple hewn by Mahendravarman I. The village is part of Mahendravadi Village Panchayat and as per census 2011 it has a population of 2503 people and 72.12 % literacy rate. Agriculture is the main source of income for the people of this village. Nemili, Sholinghur and Arakonam are nearest towns of Mahendravadi and is well-connected by bus transport.

Rock cut Caves of Mahendravarman I

Most of the rock cut cave temples Mahendravarman I 's  are located in small villages and a small or moderate lakes were dug out nearer to some caves. The inscription in the Mahendra-Vishnugriha (Mahendravadi) mentions about the presence of Mahendra-thataka (Mahendra Lake) around Mahendravadi.

Rock cut Cave Temples of Mahendravarman I 

The seven rock cut caves accompanying the inscriptions of Mahendravarman I
Rock cut Cave  Inscription Name Title Location
Mandagapattu Lakshidayanam Vichitrachittan Villupuram - Ginjee   Road
Mamandur (Dusi-) - Narasamangalam              -              - Kanchipuram - Vandavasi Road
Mahendravadi Mahendra-Vishnugriha Gunabaran Kanchipuram - Arakonam Rd; >> Senthamangalam - Nemili Rd; >> Nemili - Banavaram Rd
Pallavaram              -             - GT Road.
Seeyamangalam Avanibhajana-Pallaveshvaram Griham Lalitankuran Chennai - Tindivanam >> Tindivanam - Vandavasi >> Thellaru - Desur >> Seeyamangalam
Tiruchirapalli 'Lalithankura Pallaveshvara Griham Lalitankuran Tiruchirapalli Rockfort >> Upper western cave
Dhalavanur Satrumallesvaram Satrumallan Villupuram - Ginjee >> 28th km >> Dhalavanur

The three  rock cut caves do not accompany the inscriptions of Mahendravarman I. They depict the rock cut cave architecture styles employed during period of Mahendravarman I. Though these three caves do not accompany any inscription about the constructor, it is possible to consider them as Mahendravarman I style cave. The three caves include:
Vallam Caves nos.1 - 3 Vasanteshvaram        -             - Chengulpet - Tirukazhukundram Rd.
Kurananilmuttam Alvar of Kal-Mandakam            - Kanchipuram - Vandavasi Rd. >> 8th km >> left road >>
Sikhari  Pallaveshvaram Sri Sikhari  Pallaveshvaram            - Ginjee - Mel Malayanur Rd >> Singavaram >> Sikhari  Pallaveshvaram

Among the seven rock cut caves accompanying the inscriptions of Mahendravarman I, Mahendra-Vishnugriha, is the lone rock cut cave temple dedicated to Vishnu (Murari).

The east facing  Mahendra-Vishnugriha rock cut cave in Mahendravadi is small and cute. The well planned and well executed single sanctum rock cut cave is hewn from a free standing boulder measuring about 3.35 meter long and 7.62 meter wide from north to south. The cave comprise a facade, a rectangular mukha mandapa, ardhamandapa and the slightly projected cubical sanctum.

The facade floor is formed 0.50 meter above the ground level. The facade measures 5.71 meter in north south direction and 0.60 meter in east west direction.  The facade comprise two pillars with the features of square, octagonal kattu and square in the middle and two pilasters one on each side of the corners. There are three wide 'anganas' (bays) are formed between the pillars and pilasters.

The lower square and kattu are long when equated with the upper square. While all the upper faces of the square are decorated with circular lotus medallions, all the lower faces except the west face is adorned with flower medallions. The flower medallions appear different from lotus medallions and the square frames also have deep embellishments. While the upper south and north faces of the pilasters have lotus medallions, the east faces of the pilasters also have only half frame of the medallions and the west face is left blank.

The lone four line inscription of Mahendravarman I in Pallava grantha script and in Sanskrit language is inscribed on the north face of the southern pilaster just below the lotus medallion. The details of the inscription will be discussed in succeeding paragraphs.  The vettu potikas holding the prastara components such as uttira (beam) and vajanam. The mother rock is evenly sculpted and extended in a semi-circular shape. In spite of its appearance as kapota, the structure is not shaped as kapota in its full form. Also there are two deep grooves above the facade - the lower one is short and the upper one extends up to the entire cave length.

The open rectangular mukha-mandapa is formed between two rows of pillars i.e., row of pillars in the facade and the row of  rear pillars with the features of square, octagonal kattu and square in the middle. No medallions noticed on the faces of the square part. Here also the vettu potikas holding the prastara components such as uttira (beam) and vajanam. The floor level is raised above up to 0.05 meter. The side walls, measuring about 5.75 meter in length and 1.15 meter in width, are  left blank. The floor and roof are even and there is a band of vajanam running on all four sides.

We may call the space formed between two rows of pillars i.e., row of rear pillars and rear wall as ardhamandapa. Ardhamandapa measures about 5.87 meter in length and 2.22 meter in width. The floor level is still raised above up to 0.05 meter.

The sanctum is formed on the western lateral wall facing east and it is protruding out of the western lateral wall up to 0.39 meter. The sancum floor level is raised above up to 0.59 meter. The components of adhishtana of the sanctum includes  jagadi, kumuda, khanta and pattika flanked by kampa. The moldings are more distinct on the northern wing than the southern wing. A flight of three steps without ballustrades, cut from the mother rock, leads to the sanctum. The doorway is framed by east facing pilasters on either side.  There are two niches - one on either side of the sanctum, excavated up to 1.51 meter high on the western lateral wall. Both south and north niches houses two male dwarapalakas. The niches are framed patti (band) on all four sides. The roof is supported by uttiram, vajanam and rough kapota. The lateral walls of the sanctum are not even at roof level.

Lord Narasimha's Sanctum

Lord Naraimha's Sanctum
Lord Narasimha appears in padmasana posture in the sanctum and this could be the later addition. The original prime deity 'Murari,' as mentioned in the inscription could not be found.   The pilasters at the entrance and the rear row of pillars bear niches for lighting oil lamps. This also could be the lateral additions.

In this cave temple daily pujas are not offered to Lord Narasimha. At least the sanctum can be maintained with some respect. Let it not be used as store room for plastic pots, broomsticks etc. 

Dwarapalaks

Both the dwarapalakas (door guards) in Mahendravadi appear in parsavakosana, an unusual posture. The dwarapalaka in the right niche appear in parsavakosana with the left leg in parsva (foot slightly towards right) and the right leg 90 degree. The left and right heels are aligned and the thighs are firm and the right thigh outward and the center of the kneecap is in line with the center of the right ankle. The left hip slightly forward, towards the right and the upper torso extends back to the left. The face is upright and smiling. The left hand and the broken right hands are resting on his hips. He appears wearing headband, karandamakuta with chanka motiff and ornaments worn by him includes patra kundala in ears, sarapali in the neck, armlets (tolvalai). The yagnapavita is worn in niveta fashion. The knots of the waist attire is shown on the right.

The left niche dwarapalaka also appear in parsavakosana with the left in parsva (foot slightly towards left) and the right foot 90 degree. The left and right heels are aligned and the thighs are firm and the right thigh outward and the center of the kneecap is in line with the center of the right ankle. The left hip slightly forward, towards the right and the upper torso extends back to the left. The face is slightly bent and smiling. The right hand and the broken left hands are resting on his hips. He appears wearing headband, karandamakuta with chanka motiff and ornaments worn by him includes patra kundala in ears, sarapali in the neck, armlets (tolvalai). The yagnapavita is worn in niveta fashion. The knots of the waist attire is shown on the left.

Inscription

 

As told earlier the north face of the southern pilaster at the facade bear the inscription of Mahendravarman I in Pallava Grantha script and use Prakrit (Sanskrit) language (Epigraphia Indica Vol. IV pp. 152 - 153).



मह्हिततमं सतामु [प] महेन्द्र [त] टाकमि  [दम्]
स्थिरमुरु कारितं गुणभरेन विदार्य्य शिल [|म] [|]
ज [न] नयनाभिर [|] मगुणधाम   महेन्द्रपुरे
मह्हति महेन्द्रविष्णुगृहनाम मुरा [रि] गृ [हं] [॥]
(Script Cortesy: Saurabh)
Mahhitatamam sataamu [pa] mahendra [ta] taakami [dam]
Sthirmuru kaaritam gunabharen vidaaryya shila [am] [|]
Ja [na] nayanabhir [|] magunadhaam mahendrapure
Mahhati mahendravishnugrihanaam mura [ri] griha [ham] [||]
(Script Cortesy: Saurabh)
மஹ்ஹிதாதாமம் சதாமு [ப] மஹேந்த்ர [த]டாகமி [தம்]
ஸ்திர்முரு  காரிதம் குணபரன் விதார்ய ஷீல [அம்] |
ஜ [ந] நயநாபிர் | மகுநதாம் மஹேந்த்ரபு
மஹ்ஹதி மஹேந்த்ரவிஷ்ணுகிரிஹனாம் முரா[ரி] கிரிஹ  [ஹம்]  ||

English Translation: The wide temple of Murari (Vishnu), named Mahendra-Vishnugriha was caused to be made by splitting the boulder by Gunabhara (Pallava king Mahndravarman I) on the bank of Mahendra Tataka (Mahendra Tank) in the prominent (city of) Mahenthirapura and this is extremely appreciated by estimable citizenry.


How to Get There – Proceed up to 20 km in the Kanchipuram - Arakkonam road and take diversion on the left and travel further in the enthamangalam - Nemili road. From Nemili proceed further in the Nemili - Banavaram road. Mahendravadi is located in the 8th km on Banavaram-Nemili road.  
Reference:

  1. Amazing Temple Carved Out of a Single Block of Rock. Ram Subramanian. Tamilnadu.com Mar. 5, 2014
  2. Mahendravadi – Vishnu Temple of Mahendravarman. Saurabh. Indian History and Architecture. October 20, 2010 Purattatva.in
  3. Mahendravadi (Wikipedia)
  4. Seeyamangalam-cave temples of the Pallavas. Lakshmi Sharath. September 3, 2010
  5. Welcome to Pallava cave hunting. Lakshmi Sharath. September 4, 2010
  6. குடைவரை கோயில் அமுது கௌரி பாலன் October 16, 2014
  7. பல்லவர்கள் Maya Digi Media  9 February 2015
  8. மகேந்திர விஷ்ணு கிருகம் in மகேந்திரர் குடைவரைகள். நளினி, மு. மற்றும் கலைக்கோவன், இரா. pp. 80 - 88. 2012. 286 p. ரூபாய். 225/-
  9. மாமண்டூர் ஏரியை அமைத்த பல்லவர்கள். sathiyamweekly.com June 18, 2015. 

Monday, February 23, 2015

Tirunelveli Region Travelogue (Pandyan Yatra 2015) Part 2.2: Malayadikurichi Cave Temple and Sankaranarayanar Kovil

Mahadeva swamy Cave Temple, Malaiyadikurichi
Refer Picasa Album for more photographs on  Malaiyadikurchi
After lunch at Sankarankovil we continued our travel to Malaiyadikurichi Rock-cut cave. From Sankarankovil we traveled towards Puliankudi (புளியங்குடி) road and took diversion at Mullikulam and further proceeded via Thalaivankottai to reach Malaiyadikurichi village. The rock-cut cave is located towards northern side at the outskirts of the village on a rock slope of the hillock.

Name: Mahadeva swamy Cave Temple, Malaiyadikurichi (மலையடிக்குறிச்சி)
Presiding Deity: Mahadeva swamy (மஹாதேவ ஸ்வாமி) (Lord Shiva)
Consort: Marakathavalli Amman (மரகதவல்லி அம்மன்) appears in a separate sanctum. (Later addition)
Date of Visit: 23rd January 2015 between 03.30 and 05.00 am.
Category: Early Pandya Rock-cut cave at Malaiyadikurichi
Architecture Style: Early Pandya style

Architecture: The Malaiyadikurichi rock-cut cave temple consists of a rock-cut sanctum, a mukhamandpa (முகமண்டபம்) or the rectangular pavilion (hall) resting on pillars, facade of the cave, and the structural mahamandapa (மகாமண்டபம்) (an open pavilion (hall) resting on pillars) all arranged consecutively facing east..


The cave temple is surrounded  by the perimeter wall. The entrance to the mahamandapa is seen both on the east and the south. Two Nandhis (நந்தி) images facing the sanctum are located before the eastern entrance. Also there is another Nandhi image facing the sanctum of the consort is located at the southern entrance.

South Entrance showing Nandhis
The pillared mahamandapam or entrance pavilion (hall),  5.70 mts in the east - west and 5.17 mts in the south - north directions, was an addition made in the frontage to the rock-cut cave temple during the Nayaka Rule. The conspicuous components of the mahamandapam basement are upanam, kantha with padha, and pattika or peruvajana. The walls sectioned by brahmakanta (square) pilasters and above the pilasters there are vettu potikas holding the prastara components such as uttira (beam), vajanam, valabhi and kapotha with kudus. The flight of two steps leads to the mahamandapam. was an addition made in the frontage built during the Pandya Rule

Pillared Mahamandapam with Nandhi

The pilasters (door frames) at the eastern and southern entrances bear small nagabandhas, lotus medallion and torana. The roof of the mahamandapam is supported by pillars segmented as three squares with kattu in the middle. Above the pillars, vettu potikas extend its limbs to support prastara components - uttiram, vajana and valabhi. 
Sanctum of consort Marakathavalli Amman: South facing sanctum has upa-peetam, wall without pada, uttiram, vajanam, valabhi and kapotham. The front wall of this sanctum show inscriptions in fragments. Also there are inscriptions on the faces of pillars and there are few inscriptions on the northern wall. Few inscription stones re-fixed on the wall in an inverted direction during renovation. 

Goddess Marakathavalli appears wearing jatamakuta and the right hand holding the flower and the left hand rested on the lap.

Marakathavalli Amman
Facade: Two pillars and two pilasters supports facade. Comparing the upper brahmakanta (square) the lower brahmakanta (square) and kattu are larger. Except  western face of the square pillar, all the faces are decorated with circular medallions with variety of flower patterns - lotus whorls or kodikarukku (leaf pattern). One of the circular medallion is decorated with lotus flower whorls and an image at the center appears in lalithasanam posture with palm leaf coil ear ornament, haram with pendant, short robe around waist and the breast band. The image appear seated and resting its right hand on a pillow. Two chauri bearers also appear. The medallions in the eastern upper faces of the pilaster are also decked with lotus flower whorls. The upper northern face of the pilaster at southern wall possess makara medallion surrounded by kodikarukku (foliate leaf pattern) motif. Similarly the pilaster at northern wall is decorated with medallion with swan (annam) motif at the center.

Lotus Medallion
Kodikarukku

Kodikarukku
Kodikarukku
Lotus Medallion with center figure

Kodikarukku with swan

The taranga potikas with unique coiled edges  and broad median patta rest on pillars and pilasters. The coiled pattern taranga potikas appear unique and different from Tirumalapuram taranga potikas. The potikas support the prastara elements, like uttiram vajana and valabhi, running adjoining roof. The kapota extends out and joins with mahamandapa roof.

Taranga Potika mid-band
Mukhamandapa: The facade extends to the rectangular mukha mandapa which measures 5.32 mts in north-south and 1.91 mts in east-west directions. The unifloor (evenly paved) forms part of the facade as well as mukhamandapa. The lateral walls and roof are forming part of mother rock and they appear plain and simple. The northern part of the wall bears the inscription of the Pandya king Sri Vallabha. The sanctum is excavated from the mid-western wall and appear as the projection. Two shallow niches (enclosed by two square pilasters) are carved on the western wall one on each side to the sanctum. The northern niche shows the traces bas relief image as a silhouette. Looks like a four armed human mounted on elephant and the umbrella and chauris are visible. The southern niche also shows the traces of bas relief image as a silhouette. Appears like a divine form and the bird seated on a stem of twiner is visible.

4 Armed Human Mounted on Elephant
Divine Form in Niche
Sanctum: The 41 cm high plinth (padabhanda adishtanam) with components of jagadi, vritta (rounded) kumuda, kantha flanked kampa without pada and pattika. The padas bear vedikas, vedikantha and kampa. The front wall of the sanctum bears two shallow koshtas one on either side. The two koshtas bear the traces of scrapped bas relief images. Both the bas relief images could be the dwarapalakas. The flight of steps leading to the sanctum also appears to have damaged. Hence new steps added at later date.

Sanctum & Niche Fig. Erased
 Makara Torana: The ornate Makara Torana (Capricorn Arch or festoon) carved out of a single stone with four opposed fierce makara-heads (crocodile heads) adorns above the entrance of the sanctum. It reminds us the Pallava style Makara torana at the Satrumallesvara rock-cut cave temple at Dalavanur and Draupadi ratha at Mamallapuram. Two opposing capricon heads, (facing north and south) are carved at the center of the door lintel and they appear spitting warriors (in miniature size) holding swords and shields. A male image seated on lotus flower flanked by two chauris is shown within the floral ring located at the center between two makara heads. The parallel pair of opposing makara heads are placed one each in the southern and northern corners of the festoon. The intricately coiled feathers appear spread across the entire door lintel.

Makara Torana (4 opposed Capricorn Heads)

Makara Torana: Center Figure
Makara Torana: Figure at Side
Makara Torana: Figure enlarged
 The rectangular sanctum cell (measurement: 1.71 mts height x 1.47 mts width x 1.63 mts length) holds a monolithic Shivalingam with square avudaiyar (ஆவுடையார்). The sanctum is simple and plain and devoid of any ornamentation. The rectangular avudaiyar measures about 0.74 mts in width and 0.41 mts in length and vesara (cylindrical) bana measures 0.29 mts in height and the plinth of the avudaiyar is composed with the elements like upana, athopadmavari (string of inverted lotus), kantha with kampa, urdhva padmavari (string of lotus), pattika with kampa. The gomukha (கோமுகம்) is seen on the northern side of the avudaiyar with a spout like formation.

Inscription:  The rock-cut cave is rich in inscriptions dating from the 7th century A.D. to 10th century A.D.

A Tamil (script) inscription is carved on the eastern face of the potika of the the northern pillar.  It stands as the unique record about the excavation of the cave temple by Sathan Eran of Sevur (சேவூர் சாத்தன் ஈரன்) for Pandya King Ko maran Sendan (கோ மாறன் சேந்தன்) during the king's seventeenth regnal year i.e, 637 A.D. It helps us to ascertain the exact date of the cave temple.
 
Ko maran Sendhan: Inscription
Inscription Northern Wall: Reversely built

Two inscriptions are found on the northern wall.  The royal order was issued to Devakanmi (தேவகன்மி) and Sri Maheswara kankani (மஹேஸ்வர கண்காணி) serving in the 'Pinakkarukkum Mahadeva' temple (பிணக்கறுக்கும் மஹாதேவர் கோவில்) vide inscription  dated in the 3rd regnal year of the Pandya king Sri Vallabha (ஸ்ரீ வல்லபன்). The inscription mentions Malaiyadikurichi as the Thenpitakai (தென்பிடாகை) of the Sri Paranthaka Chaturvedimangalam (ஸ்ரீ பராந்தக சதுர்வேதிமங்கலம்) of Arinattu Brahmadesam (ஆரிநாட்டு பிரம்மதேசம்). The royal order also mentions about the land tax exemptions (நிலவரி விலக்கு) to the piece of lands already gifted for the daily puja rituals (திருப்படிமாற்றுள்ளிட்ட நித்த நிவந்தம்) of Mahadeva temple by the Sri Vallabha and his father.   

Another inscription dated in the 11th regnal year on the 143rd day registers the gift of Ammaikkulam (அம்மைக்குளம்).

The inscriptions on the faces of the pillars in the mahamanadapa mentions the names such as Konamalai Iramanarayana Pillai (கோணமலை இராமநாராயண பிள்ளை),  Patpanatha Pillai (பற்பநாத   பிள்ளை) and Palaimutram Chittan (பாலைமுற்றம்  சித்தன்).

Another royal order was issued to Devakanmis (தேவகன்மி) and Shiva-brahmins (சிவபிராமணர்கள் ) of this temple vide inscription dated in the 12th regnal year of the Pandya King Maravarman Sundarapandyan II (இரண்டாம் மாறவர்மன் சுந்தரபாண்டியன்) (1238-1251).

One more inscription registers the tax exemption to the village called Samanthanallur (சாமந்தநல்லூர்) gifted already by one Chokkanar Samanthan (சொக்கனார் சாமந்தன்) for daily puja rituals (சந்திகால திருப்படிமாற்றுள்ளிட்ட நித்த நிவந்தம்).

It is learned from fragments of inscriptions about the land measuring stick (நில அளவைக்கோல்) called 'Virapandyan kol (வீரபாண்டியன் கோல்) (stick), Pannirendadi kol (பன்னிரெண்டடிக் கோல்) (12 feet measuring stick) as well as few names of the Pandya irrigation canals and tanks and the names of the officials of the Pandya kingdom.

Period: The inscription records the date as 17th regnal year (637 A.D.) and the name of the Pandya king Ko maran Sendhan (கோ மாறன் சேந்தன்) who was instrumental for the excavation of this cave temple. Hence the same date could be assignable to this rock-cut cave.

Getting there

Malaiyadikurichi PIN: 627755, is a small village located near Dharugapuram (தாருகாபுரம்) in the taluk of Sivagiri (சிவகிரி), division of Kovilpatti, district of Tirunelveli, in the State of Tamil Nadu. From Sankarankovil Malaiyadikurichi can be reached by traveling on the Sankarankovil - Puliangudi road and take diversion at 13.4 km and proceed Dharugapuram via Thalaivankottai (தலைவன்கோட்டை).  Puliyankudi , Sivagiri , Sankarankoil and Rajapalayam are the nearby Cities to Malayadikuruchi. Malaiyadikurichi is located about 17 km from Sankarankovil; 09 km from Puliyankudi; 11 km from Sivagirit and 30 km from Rajapalayam. It is located 75 km towards North from District head quarters Tirunelveli. From Chennai it would be around 614 km.

By Road: This is a small village hence you may not get proper and regular transport, so arrange a taxi from whichever town you plan to visit here.

Railway station: Sivakasi Railway Station is major railway station 53 KM near to Malayadikuruchi

Airport: Tuticorin Airport- 100 km; Madurai Airport   111 km and Trivandrum International Airport- 112 km

Reference

  1. Inscriptions Tells Tales. Pradeep Chakravarthy. The Hindu Jaunuary 14, 2011
  2. மலையடிக்குறிச்சி குடைவரையும் கல்வெட்டுக்களும். தென்மாவட்டக் குடைவரைகள். மு. நளினி, இரா. கலைக்கோவன். டாக்டர். இராசமாணிக்கானார் வரலாற்றாய்வு மையம். திருச்சிராப்பள்ளி.  pp. 81 - 97

Sankaranarayanar Temple, Sankarankovil

Refer Picasa album for more pictures on Sankaranarayanar Temple
After visiting the rock-cut cave Malaiyadikurichi we returned back to Sankarankovil by 05.30 pm. As there was enough time, we thought of visiting the Sankaranarayanar Temple. The temple was not included in our itinerary.

Prime deity: Sankara Linga Swamy aka. Sankaranaaraayana Swamy
Procession Deity: -     
Goddes / Consort: Gomathi Amman
Holy Tree:: Punnai (Botanical Name - Calophyllum inophyllum)
Holy Water: Naga Sunai theertham
Historical Name: Poo Kailaayam, Punnai Vanam, Seeraasapuram, Seeraasai, Vaaraasaipuram, Koozhai Nagar.
Date of visit: 23 January 2015 from 06.00 to 08.00 pm

Temple Tower
Facade
Mandapam
Sankaranarayana Shrine: This temple is the representation of fusion of two Hindu faiths Saivism and Vaishnavism. The name Sankara joining with the name Narayana has given rise to Lord Sankaranarayana.  The Lord  is the combined manifestation of Siva and Vishnu (half - Lord Shiva and the other half - Lord Vishnu) and therefore the sanctum houses the deity by the name Sankaranarayanan, which is Lord Shiva and Lord Vishnu grace the devotees together.  Lord Sankaranarayana shrine is in between the shrines of Lord Shiva and Gomathi Amman.

Lord Shiva is fond of holy bath or ablution (Abhishekam) - the process of bathing Shivalinga with the prescribed eleven ingredients. At this shrine holy bath is offered to to Lord Chandramouleeswara the Spatika Shivalinga or crystal Shivalinga. Lord Vishnu is Alankara Priyar (Desirous of ornamentation). Hence Narayana form of this shrine have elaborate alankaram (decoration ceremony).

Lord Sankaralingam Shrine: Lord Sakaralingam (Shivalingam) appears in a separate sanctum.

Gomathi Amman Shrine: In Sanskrit 'Go' means cow and 'Mathi' means moon. Goddess Ambica is named as Gomathi since she wears a face as radiant as the Moon and being the custodian of cows. For Gomathi, Avudaiyambikai' is the equivalent term in Tamil. Goddess is decorated with flowers on Mondays and appears with golden skirts on Fridays. Sri Chakra (Agna Chakra), personifying the glory and power of Shakti, is instituted either under the peeta or in front of Gomathi Amman. 

Legend: The temple is full of legends. Sambha and Padma (Two serpent kings kept worshiping Lord Shiva and Lord Vishnu respectively) and they wanted to understand as to who was superior Hari or Shiva ? It is at this temple that they were shown that Shiva and Hari are the same (ஹரியும் சிவனும் ஒன்னு).

Manikkireevan, a deva took birth as a Paraiyan (out caste) after being cursed by Goddess Parvathi. He was known as Kavaraparaiyan. By chance he demolished a snake pit and later found a snake and a Shivalingam inside the pit. He got panicked after seeing snake pit and rushed to inform King Ukkira Pandya. During the same time Ukkira Pandya's  elephant also fell into a pit and could not move. Following this the King also heard the voice of Lord Shiva directing him to construct a temple at the spot.

Manikkreevan
Manikkreevan

Architecture

One of the  huge temple complex (4.5 acre) that can be found in the district of Tirunelveli and dedicated to Sankaranarayana. Temple architecture under the Nayaks is quite detailed and elaborate. The temple has a 9 tier imposing Rajagopuram.  This temple is surrounded by high perimeter walls and the gopuram has many beautiful stucco images. 

The large courtyards surrounding the three sanctums of this temple. The temple tower is covered from top to bottom with a vast number of heavily stuccoed images of the Hindu pantheon. The pillars in the mandapas depict life size sculptures - Rathi, Manmadha, Kuravan, Manakkreevan and others. The beautiful fresco paintings adorning the sanctum walls and mandapa ceiling. The stone idol of Nataraja is unique. Lord Narasimha finds a place in koshta in lieu of Lingodbhavar. Nandhi before the sanctum is under a Rudraksha Pandal-tent. 

Ornated Wall
Paintings around Sanctum

Inscription: The construction of this temple was commenced at 1022 A.D. by Pandya king Ukkira Pandyan.

Unique features:

  1. One of the Pancha Bootha(five elements) Sthalas in the South Pandya country.
  2. People believe that the holy Sand from the anthill (Puttrumann)  from this temple has therapeutic powers which has a holistic way of healing skin diseases  .
  3. Devotees believe that Sankarankoil‘s Nagasunai (sacred tank) have been dug by serpent kings named Paduman and Sangam which has a miraculous power to heal those who bathe there.


Festival: Adi - Thapasu Temple falls in Auguest, are celebrated for 12 days with gaiety. 

How to Get there
Sankaranarayanaswamy Temple is located in Sankarankoil Town, Tirunelveli Distirict. It is located 33 km south of Rajapalayam and 120 km south of Madurai and 56 Km NorthWest of Thirunelveli and about 40 kms east of Western ghat Hills.

Train: Sankarankoil is situated in the train route from Chennai to Quilon and shencottai.

Youtube: Sankaran Kovil * Shiva & Vishnu as Sankaranarayanar Selvaganapathy S

Related Posts Plugin for WordPress, Blogger...