Monday, June 16, 2014

Aditya Chola I Pallipadai (Royal Sepulchre) Near Sri Kalahasti, Andhra Pradesh

Arch and Stupi at The Road Junction: Tirupati - Sri Kalahasti - Puttur Roads
Information Plaque below Stupi
Three tier Rajagopuram. The compound wall enclose large rectangular sized land.
Rajagopuram, Bali Peetam, Nandhi Mantapam, and the Main Sanctum (Adityesvara) aligned in the same axis.
View of shrine in 2010 Source: ஆதித்த சோழனைத் தேடி....Bodhi.
Date: Thursday, October 7, 2010
Vimanam: Superstructure Damaged: Source: ஆதித்த சோழனைத் தேடி....Bodhi. Date: Thursday, October 7, 2010
Present Date: 08 06 2014 View of Aditya Chola I Sepulchre (Under Renovation) and Kamakshidevi Shrine
Shiva Lingam at the Sepulchre Sanctum: Sanctum and Ardha Mantapam Viewed
Vimana base comprise: upana, jagati, tripatta-kumuda, kantha and kampa molding. Tripatta Kumuda bears inscription. 
Central niche of the Southern wall housing Dakshinamurthy.  Source: ஆதித்த சோழனைத் தேடி....Bodhi.
Date: Thursday, October 7, 2010
Present View: Central Niche Projected.  Padma and Silambu Kumuda. arrangement of friezes of bas-relief lion above the base
Lion Bas relief and Gomukha
Inscriptions of 34th regnal year  from Parantaka  Chola I (94l)
Portions of Tri-patta Kumuda damaged: Portions of the inscriptions lost. See the paint mark to identify the stone block
Excess Cement Mortar used to join boulders. The inscriptions and other sculptural aspects lost
Consort shrine: Kamakshidevi
Visiting the Adityesvara temple (ஆதித்தியேஸ்வர ஆலயம்) aka. Kodandaramesvara temple (கோதண்டராமேஸ்வர ஆலயம்) is a must on any visit to Sri Kalahasti in Andhra Pradesh. Kodandaramesvara is the Pallipadai (பள்ளிப்படை) sepulchre temple of Chola king, Aditya Chola I (c. 871 – c. 907 CE) (முதலாம் ஆதித்த சோழன்), the son of Vijayalaya Chola. Sepulchre temples are wonderful places to explore since there is lesser information known about them. Those of you who are familiar with sepulchre temples will no doubt amplify more; so please feel free to comment.

Aditya Chola I died at Tondaimanarrur in 907 CE. An inscription describe this by the epithet  "Tondaimanarrur tunjina udaiyar (தொண்டைமானரூர் துஞ்சின உடையார்)- "the king who died at Tondaimanarrur". 'The Kanyakumari inscription supplies us with the information that Aditya was also known by the surname Kodandarama.  In later times, this same title was borne by his grandson, prince Rajaditya.' 'In this village there still exists a temple called Kodandaramesvara, also mentioned in its inscriptions by the name Adityesvara. In one of the Tondamanad inscriptions reference is made to a “pallippadai”  (i.e., a shrine built over or near a burial ground) apparently at the same village.  It is evident, therefore, that Aditya died at Tondaimanarrur near Kalahasti and that his son Parantaka I built a Siva temple over his ashes.'

Where is this village Tondaimanarrur? How to get there and visit Adityesvara temple aka. Kodandaramesvara? I was searching the Google on the whereabouts of this sepulchre shrine near Sri Kalahasti. One or two travelogues in Tamil informed about Tondamanad and the sepulchre shrine which is in close proximity to Sri Kalahasti, in Chitoor district, Andhra Pradesh, PIN - 517641.

I was very keen to visit this sepulchre to show his respects and pray. Started from Tirupati on 08th June 2014 at 7.30 am by by Andhra Pradesh State Road Transport Corporation Bus (APSRTC). Distance between Tirupati to Sri Kalahasti is 37 km. Travel Time by road is 1 hr.  Sri Kalahasti is a holy town and a municipality near Tirupati. When enquired about Thondamanad Shiva temple,the name of this place is unheard for many. 

I 
am told to watch for an Arch on the right side of the road and I continued down the road for about 34 km. The arch was visible from the road and I got down from APSRTC. No one came to help me and the villagers neither know about Adityesvara temple nor Kodandarameswara temple. Now all left to me. However they guided me to proceed straight into the village and I walked about two - three km to reach Tondamanadu and finally I landed in Thondamanadu Sri Venkateshwara Swamy temple built by Thondaman Chakravarthy brother оf Sri Padmavathi ammavaru (brother-in-law tо Sri Venkateswaraswamy).  This is only temple where one can see Venkateswaraswamy will be sitting along with Sri Devi (Lakshmi)  and Padmavathi Ammavaru. After darshan there, I was guided properly by the priest to go Bokkasampalem village and proceed further from the village arch into the village to get into the temple. Bokkasampalem is the historical village situated between Subbanaidukandriga and Eguva veedhi in the Sri Kalahasti Mandal.  ."Bokkasam" means Treasury, Thondaman chakravarthy ruled Thondamanadu. His treasury was placed in that village, so that the name came to Bokkasampalem village. Finally I have walked into Kodandarameswara sepulchre temple, in Bokkasampalem village. The little dilapidated Shiva temple was standing with amazing vibe. I have regained my confidence. One would simply love to sit around there and relax in peace.

The temple is maintained by the Executive Officer, Sri Kalahasteeswara Swamy Devastanam, Sri Kalahasti, Andhra Pradesh, India. This historical monument is not protected by the Department of Archaeology and  hence continue to lie in utter neglect. After being neglected for decades, the historical Kodandarameswara sepulchre temple of Parantaka Chola I era in Sri Kalahasti mandal are set to undergo renovation. The Sri Kalahasteeswara Swamy Devastanam authorities have taken up renovation works in the main shrine. The vimana with beautiful stucco work was built using brick and lime mortar and was converted later into stone. Now it is completely demolished and the reconstruction have not commenced yet. They have strengthened the foundations and relaid the granite blocks from upana (the base) to prastara (entablature) including adhishtanam and wall structures of the shrine. However the rare inscriptions are smeared with cement mortar and the stone blocks bear painted identification markings. It appears that the renovation is taking place in a snail’s pace. Thanks to the patronage of Sri Kalahasteeswara Swamy Devastanam, devotees and heritage conscious persons, the daily rituals are being held without any interruption at the Ambal shrine.

Pallipadai  (Sepulchre temple)

Pallipadai means a (Sepulchre temple) Shiva temple constructed the mortal remains of Chola royalty.  Pallipadai is the Tamil name for sepulchral shrine. Normally funerary temples were erected over the places of burial of the mortal remains of ascetics, saints and sages. However raising sepulchral shrine on the burial / cremation ground was followed by the Lakulisa Pashupata sect during later Cholas period (10th and 11th century). No sepulchre temple traceable from the Pallava, or Chera kings,  but there are sepulchres from the Cholas. Such kind of worship protocol is not practiced today. Though there are about 16 Chola sepulchres pointed out, the scholars are in agreement with three sepulchre temples since they have specific inscriptions in their wall or plinth stating that they are Pallipadai koil (funeral temples). The remaining Chola sepulchres could not be traceable or there is a difference of opinion among the scholars about the identity of the location mentioned in the sources. The inscriptions from these Chola sepulchres deify the king or queen and commemorate the death. The direct male descendant of the king or queen and legitimate successor for the throne has only built the Chola sepulchre. The cult raising sepulchres for the dead king or queen and the cult of exalting or worshiping them was not prevalent after Chola dynasty. No Hindu Agamic text prescribes cannons for Pallipadai Temple construction.

The  spacious east facing Kodandarameswara Kamakshidevi temple complex is situated in the middle of the village Bokkasampalem and surrounded by the residences. The temple does not show any complex plan and the temple never enlarged by royal successors.  The architectural elements ‘reflect Chola convention.’ This whole temple complex stands within a spacious rectangular compound defined by prakara walls. The temple faces west towards the east gopuram of the Kodandarameswara complex, with which it is perfectly aligned.  The simple and interesting Stucco images (Sudhai) decorate the stone gopuram. Typical Chola dwarapalakas (door guardians) are not traceable. Main entrance showing Bali Peeta, and Nandhi Mantapa. An intricately sculpted Nandhi aka the celestial Bull, the divine mount of Lord Shiva, sits facing the main deity.

The vimana of the main shrine is small and typically square and includes sanctum (garbhagriha)  and ardhamandapa. From upana to prastara, the vimana is built with granite stone and the superstructure including shikara seems to have built out of brick and re-converted to stone.   At present the sanctum is bereft of its superstructure. Shiva Lingam (5 - 6 feet tall) is present in a two meter square sanctum sanctorum. There is an Ardhamantapa before the sanctum.

The vimana walls are divided into three segments and named as pathis and these pathis usually extends towards the upper tiers of the vimana. The segmenting is marked by pilasters. The corner pathis are called Karnapathis or Karnabhadra. The centrally located and little projected pathis from the walls is known as Salapathi or Salabhadra. Salapathis have one or more niches (koshta) or Sala-koshta. The plain outer walls of this particular vimana have brahmakanta pilasters (four sided) and plain Karnapathis. Although there is a slight projection of the sala-koshtas, there is almost no depth to house the deities. It appears that the sala-koshta deities might be later additions. Now niches are bereft of sculptures.

The vimana has the very austere basement (adhishtana) of padabandha type with the components of upa-peeta, upana, jagadi, tri-patta kumuda moulding. Prativari with Padma and Silambu Kumuda appear beneath the centrally projected niches. There is the arrangement of friezes of bas-relief lion above the base.

The consort (Ambal) shrine (added at later date) is in a separate sanctorum on the left. Also there are Navagriha figures (nine planets) on platform appears to have been added at later date.

Inscription

During the Raja Raja Chola rule, Sri Kalahasti fell under the revenue division of Attrur Nadu of Perumbanaipadi, which was a sub-division of Tiruvenkata Kottam (Tiruvenkata Circle) under the larger division of Jayamkonda Cholamandalam.

The detailed lithic records (stone inscriptions) of the 34th regnal year  from Parantaka  Chola I (94l)  written all around the tripatta kumuda of the central shrine (vimanam) recording a gift of 105 Kazhanchu gold (one Kazhanchu is approximately equivalent to 5 grams) and agreement to measure every year 4000 kadi of paddy as deposit by Vageeswara Panditha Bhattarar.  The inscription records further about the utilization of interest accrued from gift (deposits) i.e, agreed to measure 1000 kadi of paddy every year as interest as well as to provide curd, ghee, salt, vegetables and other requirements for observing the seven day celebrations that concluded on Sadhayam star constellation in the Tamil month Purattasi (September - October). Sadhayam was the natal star constellation of Aditya Chola I. The inscription also instructs further to dedicate the seven day festival to Lord Indra,  the god of thunder and rain. (Indra Vizha (Festival for Lord Indra) was celebrated in the ancient Chola capital Kaveripumpattinam and it is believed that the discontinuation of the Indra Vizha celebrations led to the destruction of this Chola capital.)

During the Indra Vizha celebrations one thousand devotees of different sects and classes were to be fed. Of the one thousand devotees, 500  devotees must be from different religious sects and classes "பக்தர்களான பல சமயத்து அந்நூற்றவர்." From the remaining 500, there must be 300 brahmins and 200 devotees must be saints, ascetics (தபஸ்விகள்), including hermits of  Mahavratam sect (மகாவிரதிகள்), from six different Saivite sects (Saivam, Pasupatham, Kalamukham, Mahavratam, Vamam and Bhairavam) of the Hindu religion "தபஸ்விகளில் மகாவிரதிகள் உட்பட ஆறுசமயத்து தபஸ்விகள் இருநூற்றவர்" 

The charity of feeding the devotees was to be maintained by the Vageeswara Panditha Bhattarar of the Pallipadai temple and by the Sabha (assembly prominent Brahmin landholders in Chola local administration system) and devotees of Thondaimaan Peraarur village. The inscription specifies that the interest was to be measured in 1000 kadi of paddy.

The village sabha paid in measures of paddy-wages to servants for spreading banana leaves, fetching drinking water of paddy-wages; to pot maker for providing mud pots; to vendors for providing flower garland and firewood. There was a Chola sponsored vedic school and measures of paddy-wages were provided for its maintenance purposes. The Pallipadai temple was also attached with the  theatrical hall for dramatic dance and music and the carpenter (who attended the maintenance work) was also provided with measures of paddy-wages. During the celebrations, folk dance dramas (koothus) were organized. The drama artists and singers were also given measures of paddy-wages.  

Vijayalaya Cholas

The Sangam literature fame early Chola kingdom (Uraiyur as Chola capital city) faded into darkness after 3rd century A.D. After the 'dark' age there was an ascendancy of the Pallava and Pandya dynasties.

The real founder of the Chola dynasty of Thanjavur was Vijayalaya Chola (848-891) aka. Parakesarivarman, a feudatory of the Pallavas. His dynasty rose to its prominence during the middle of the 9th century A.D. He captured Thanjavur in 848 A.D. from some local chieftains (Mutharaiyar) and established as a semi autonomous state.

The successors of Vijayalaya  managed to become independent from the control of the Pallavas. They fought with Pallavas and Pandiyas of Madurai and defeated them and extended they sway to most parts of modern day Southern Tamil Nadu. Thus greatest Chola empire came into existence in South India during the second quarter of the 9th century A.D. and lasted for more than

Aditya Chola I (முதலாம் ஆதித்த சோழன்) (c. 871 – c. 907 CE) was the son of Vijayalaya Chola. Aditya Chola I had a long and victorious reign during which he laid the foundation of the future greatness of the Chola empire. He had "Rajakesari" title. He was also called as Kodanda Raman.

Aditya Chola I is regarded as Thirupurambiyam battle hero. The village Thirupurambiyam is located on the Thanjavur - Kumbakonam route in Tamil Nadu. The battle was mainly engaged between the Pallava king Aparajit and Pandia king Varaguna Pandian aka Varagunavarman II  in the year  885 CE. The two sons of  the Pallava king Nandivarman III - his eldest son Nripatunga and another son Aparajit - developed enmity after the demise of their father in 869 AD. The Pandias supported Nripatunga and Pallavas supported Aparajit. Aparajit also received support from Ganga king Prithvipathi I and Aditya Chola I.

The Pandias got defeated and this battle ensured the end of Pandya power in the south. The Ganga king Prithvipathi was also killed in this battle. The king Varaguna Pandian renounced his throne and turned as an ascetic. Cholas reaped maximum benefit out of Thirupurambiyam victory and the grateful Aparajita not only agreed to retain the territories won by Vijayalaya Chola, but also assigned the new regions around Thanjavur held by Mutharaiyars to Cholas as  the token of appreciation.

Later, in the year 903 CE, the 32nd year of his reign, Aditya Chola I became very powerful and don't want to continue as a subordinate to Pallavas. In a battle he defeated the Pallava king Aparajit and captured Pallava kingdom. It is believed that he himself killed Aparajit who was mounted on an elephant in the battle. The conquest of the Tondaimandalam earned for Aditya I the epithet "Tondainadu pavina Rajakesarivarman" (தொண்டைநாடு பாவின இராசகேசரிவர்மன்) - "Rajakesarivarman who overran Tondainadu". The name Tondaimandalam region was later converted as Jeyangonda. Cholamandalam. Aditya Chola I also conquered the Kongu country located in the south west of Tamil Nadu and captured region from the Pandya king Viranarayana.

Aditya Chola I is claimed to have built a number of temples for Lord Shiva along the banks of the Cauvery. The Kanyakumari inscription gives us the information that Aditya I was also known by the surname Kodandarama.

Aditya Chola I was survived by his queens Ilangon Pichchi and Vayiri Akkan alias Tribhuvana Madeviyar. Besides these two queens Aditya I also had a mistress named Nangai Sattaperumanar as evidenced from an inscription.

Medieval Cholas aka. Vijayalaya Chola Dynasty
Reign Period (A.D.) Name of the Chola Relationship Historical Facts - Reign
848 - 871 Vijayalaya Chola (848 - 871) Founder of Medieval Chola Dynasty
Successor: Aditya Chola I
Vijayalaya rose out of obscurity and captured Thanjavur in 848A.D. from Mutharaiya, the local chieftain.
871 - 907 Aditya Chola I (871 - 907) Son of Vijayalaya Chola
Predecessor: Vijayalaya Chola
Successor: Parantaka Chola I
extended the Chola dominions by the conquest of the Pallavas. Tondaimanarrur tunjina udaiyar
907 - 950 Parantaka Chola I (907 - 950) Son of Aditya Chola I
Predecessor: Aditya Chola I
Successor: His second son Gandaraditya

Long reign (48 years). Increased success and prosperity.
Died in 950 A.D.,


Rajaditya (died.949)
("aanai mael thunjiya devar") 
Son of Parantaka Chola I (the prince and the first in line to the throne - killed in one of the bloodiest battles in Thakkolam (949 A.D.)
950 - 957 Gandaraditya (950 - 957)      Son of Parantaka Chola I
Predecessor: Parantaka Chola I
Successor: Arinjaya Chola
More suited to the realm of religion than politics. His reign was marked for the stagnation in the progress of the Chola power.
956 - 957 Arinjaya (956 - 957) Son of Parantaka Chola I
Predecessor: Gandaraditya Chola
Successor: Sundara Chola
Ruled for a brief period
957 - 970 Sundara Chola (957 - 970)
Title: Parantaka Chola II 
Son of Arinjaya Chola
Predecessor: Arinjaya Chola
Successor: Uththama Chola
Aditya II (Aditya Karikala)
Rajaraja Chola I
Kundavai (Daughter)
Chola power recovered during Sundara Chola’s reign. Died in 973 A.D.

Aditya Karikala (died. 965)
Aditya II    
Son of Sundara Chola and the prince and the first in line to the throne -
Defeated the Pandyas. Invaded in the north up to Tondaimandalam. Killed in a political intrigue in 965 A.D. Uththama Chola’s   involvement in this plot has been suspected.
970 - 985 Uththama Chola (970 - 985) Minor son of Gandaraditya Chola and Sembiyan Mahadevi and the cousin of Sundara Chola.
Predecessor     Sundara Chola
Successor     Rajaraja Chola I
Due to his immaturity, his rights to the Chola throne were probably set aside and Gandaraditya’s younger brother Arinjaya Chola was crowned king.
985 - 1014 Rajaraja Chola I (985 - 1014)  Son of Sundara Chola and the prince and the second in line to the throne
Predecessor: Sundara Chola
Successor: Rajendra Chola
Consolidated and established  the Chola Empire. Brought political unity to the whole of Southern India and establish- ed the Chola Empire as a       respected sea power. Rajaraja eliminated the last remnants of the Rashtrakuta power.
985 - 1014Rajaraja Chola I (985 - 1014) 
Titles: Parakesari, Rajakesari, Mummudi Cholan
Son of Sundara Chola and the prince and the second in line to the throne
Predecessor: Sundara Chola
Successor: Rajendra Chola I
Consolidated and established  the Chola Empire. Brought political unity to the whole of Southern India and establish- ed the Chola Empire as a       respected sea power. Rajaraja eliminated the last remnants of the Rashtrakuta power.
1012 - 1044 Rajendra Chola I (1012 - 1044)
Titles: Parakesari, Yuddhamalla, Mummudi, Gangaikonda Chola
Son of Rajaraja Chola I
Predecessor: Rajaraja Chola I
Successor: Rajathiraja Chola
Issues:
Rajadhiraja Chola I
Rajendra Chola II
Virarajendra Chola
(daughters)
Arulmolinangayar
Ammangadevi

Extended his father’s            successes by completing the  conquest of Lanka          (1018 A.D.), invade Western Chalukyas (1021 A.D.) and  invade Vengi (1031 A.D.).
1018 - 1054 Rajadhiraja Chola (1018 - 1054) -     Son of Rajendra Chola I
Predecessor    Rajendra Chola I
Successor     Rajendra Chola II
lost his life on the battlefield
1051 - 1063 Rajendra Chola II (1051 - 1063) -     Son of Rajendra Chola I
Predecessor    Rajadhiraja Chola
Successor     Virarajendra Chola
crowned in the battlefield
1063 - 1070 Virarajendra Chola (1063 - 1070) Son of Rajendra Chola I
Predecessor    Rajendra Chola II
Successor     Athirajendra Chola

1067 - 1070 Athirajendra Chola (1067 - 1070) Son of Virarajendra Chola
Predecessor    Virarajendra Chola
Successor     Kulothunga Chola I


How to Get There:

Bokkasampalem village is located on the Puttur -  Sri Kalahasti road - in between  Subbanaidukandriga and Eguva veedhi. It is 7 km from Sri Kalahasti. The temple located 0.5 km away from Thondamanadu Sri Venkateshwara Swamy Temple. Good transport facility (frequent share autos and occasional buses) is available from Sri Kalahasti to Bokkasampalem village.
  • Address :     Near Rachabanda , Sivalayam Street , Ramalayam temple, 517640
  • Nearest Bus Stop     Eguva veedhi Bus Stop 1 KM. from temple
  • Nearest Railway Station     Sri Kalahasti Railway Station distance 7 KM. from the temple
  • Nearest Airport     Renigunta Airport distance 17 KM. from the Temple

References 

  1. ஆதித்த சோழனைத் தேடி....Bodhi. http://bodhiparthi.blogspot.in/2010/10/blog-post_07.html 
  2. XI.- Inscriptions of Parakesarivarman Parantaka I No. 103. – ON A SLAB BUILT INTO THE VERANDAH ROUND THE CENTRAL SHRINE OF THE ADHIPURISVARA TEMPLE AT TIRUVORRIYUR) http://www.whatisindia.com/inscriptions/south_indian_inscriptions/volume_3/introduction1.html#_ftnref10
  3. Aditya Chola I Wikipedia
  4. Balsubrahmanyam, S. R. Early Chola Art, part I, Asia Publishing house, 1966
  5. Choubey, M.C. Lakulisa in Indian Art and Culture, New Delhi: Sundeep Prakashan, 1997.
  6. Living beyond death: Chola sepulchres. http://www.thefreelibrary.com/Living-beyond-death-Chola-sepulchres.-a0271884983
  7. Nilakanta Sastri, K.A. The Colas, Madras: The University of Madras, 1984. 
  8. The Cholas. Humanities 360. http://www.humanities360.com/index.php/the-cholas-46118/

Thursday, June 12, 2014

Chola Temples

 
Vijayalaya Choleeswaram, Narthamalai, Pudukkottai District Rebuilt by Vijayalaya Chola

Muvar Koil, Pudukkottai District, Paranthaka II
Srinivasanallur, Koraganathar Temple, Trichy District Paranthaka I
Darasuram Airavatesvara (Raja Rajeswaram) Temple , Kumbakonam - Rajaraja Chola II
Pullamangai Brahmapurirswarar, Thanjavur District, Paranthaga Chola I
Cholas built many temples all over Tamil Nadu.I am trying to map these temples with the Chola kings who built or rebuilt these temples based on the available inscriptions.


EARLY CHOLA PERIOD
Aditya Chola
  1. Thirupparaithurai Tharugavaneswarar, Trichy – Aditya Chola
  2. Kumaravayalur Tirukattrali Parameswarar, Trichy – Aditya Chola
  3. Thiruvidaimaruthur Mahalingar, Kumbakonam – Aditya Chola
  4. Nemam Airavateswarar, Thanjavur – Aditya Chola
  5. Thillaisthanam Neyyadiappar, Thanjavur – Aditya Chola
  6. Thiruchottruthurai Othavaneswarar, Thanjavur – Aditya Chola
  7. Thirupponthuruthi Pasbavaneswarar, Thanjavur – Aditya Chola
  8. Thiruvedikudi Vedapureeswarar, Thanjavur – Aditya Chola
  9. Thirupazhanam Abathsahayeeswarar, Thanjavur – Aditya Chola
  10. Kudanthai Nageeswarar, Kumbakonam – Aditya Chola
  11. Thiruvayaru Panchnadeeswarar, Thiruvaiyaru – Aditya Chola
  12. Thirukattalai Sundreeshwarar, Pudukottai – Aditya Chola
  13. Thirukattupalli Agneeshwarar, Thiruvaiyaru – Aditya Chola
  14. Keelayur Thenvayil Sreekoil, Nagapattinam – Aditya Chola
  15. Lalgudi Sapthareeshwarar, Lalgudi, Trichy – Aditya Chola
  16. Thirupurambiyam Satchinathar, Kumbakonam – Aditya Chola
  17. Thiruerumbiyur Erumbeeswarar, Thiruverumbur, Trichy – Aditya Chola
  18. Thiruchendurai Chandrasekarar, Trichy – Aditya Chola
  19. The Ranganatha Temple at Srirangapatnam, Mandya district, Karnataka - Aditya Chola I
  20. Nageswaran Temple, Kumbakonam - Aditya Chola I
  21. Thirukadambatturai Udaiya Mahadevar (Matsyapurisvarar temple), Tudaiyar, Trichy - Aditya Chola I
     Paranthaka Chola I 
  1. Uyyakondan Thirumalai Ujjivaneeswarar, Trichy - Paranthaga Chola I
  2. Nangavaram Sundareeswarar, Trichy - Paranthaga Chola I
  3. Andanallur Thiru Alanthurai Mahadevar or Vada Tirthanathar, Trichy - Paranthaga Chola I
  4. Sithalingamadam Viyakrabatheeswarar, Villupuram - Paranthaga Chola I
  5. Thiruvettriyur Adheepureeswarar, Chennai - Paranthaga Chola I
  6. Madhuranthagam Sivan and Visnu koil, Kanchipuram - Paranthaga Chola I
  7. Thiruvamathur Abirameswarar or Nandieswarar, Villupuram - Paranthaga Chola I
  8. Kattumannarkudi Viranarayana Vinnagar, Chidambaram - Paranthaga Chola I
  9. Erumbur Kadamabavaneeswarar, Cuddalore - Paranthaga Chola I
  10. Cholapuram Sivan Koil, Perambalur - Paranthaga Chola I
  11. Pullamangai Brahmapurirswarar,Papanasam, Thanjavur - Paranthaga Chola I
  12. Thiruchennampoondi Sadayari, Thanjavur - Paranthaga Chola I
  13. Thirunamanallur Tiruthondeeswarar, Tiruvannamalai - Paranthaga Chola I
  14. Thiruvaduthurai Komuktheswarar, Nagapattinam - Paranthaga Chola I
  15. Alambakkam Kailasanathar, Trichy - Paranthaga Chola I
  16. Thirukandiyur Virattaneswarar, Thanjavur - Paranthaga Chola I
  17. Thirupalthurai Adimuleswarar, Trichy - Paranthaga Chola I
  18. Srinivasanallur Koranganathar, Musiri, Trichy - Paranthaga Chola I
  19. Valikandapuram Valikandeswarar, Veppanthattai, Perambalur - Paranthaga Chola I
  20. Thiruvalanchuzhi Temple, Tanjore District, Near Kumbakonam - Paranthaga Chola I
  21. Tirumalpur, Vellore – Paranthaga Chola I

    Sundara Chola / Uthama Chola
  1. Ponsei Nalthunaieswarar, Mayiladuthurai - Sundra Chola / Uthama Chola
  2. Perungudi Agastheeswarar, Trichy - Sundra Chola / Uthama Chola
  3. Konerirajapuram UmaMaheswarar, Mayiladuthurai - Sundra Chola / Uthama Chola
  4. Thirukodikaval Sivan Koil, Mayiladuthurai - Sundra Chola / Uthama Chola
  5. Karunthittaikudi Vasisteshwarar, Thanjavur - Sundra Chola / Uthama Chola
  6. Anangur Sivan Koil, Namakkal - Sundra Chola / Uthama Chola
  7. Thirunaraiyur Sithanathaswamy,Kumbakonam - Sundra Chola / Uthama Chola
  8. Courtallam Soleeswarar, Kanchipuram - Sundra Chola / Uthama Chola
  9. Koviladi Divyaganeeswarar, Trichy - Sundra Chola / Uthama Chola
  10. Thodaiyur Bishamanganeeswarar,Pudukottai - Sundra Chola / Uthama Chola
  11. Thirunageswararm Nageswarar, Kumbakonam - Sundra Chola / Uthama Chola
  12. Sembianmadevi Kailasanathar, Thiruvarur - Sundra Chola / Uthama Chola
  13. Thirukarugavur Sivan Koil, Thanjavur - Sundra Chola / Uthama Chola
  14. Govindaputhur Gangasadatharar, Ariyalur - Sundra Chola / Uthama Chola
  15. Kilapazhuvur Alandurayar, Ariyalur - Sundra Chola / Uthama Chola
  16. Kodumbalur Thaligal, Pudukottai - Sundra Chola / Uthama Chola

    MEDIEVAL CHOLA PERIOD

    Rajaraja Chola I
  1. The Brihadisvara Temple at Thanjavur - Rajaraja Chola I
  2. Masilamaneeswarar temple, Utatur(Urrattur), Padalur, Trichy - Rajaraja Chola I 
  3. Parameeswarar temple, Thirumangalam, Lalgudi, Trichy - Rajaraja Chola I
  4. Kuganathaswamy Temple, Kanyakumari – Rajaraja Chola I 
  5. Melpadi Samathi Koil, Vellore – Rajara Chola I
  6. Narasimmaswamy, Ennairam, Villupuram – Rajaraja Chola I 
  7. Kamarasavalli, Ariyalur – Rajaraja Chola I 
  8. Adhi Lakshmi temple, Natham, Lalgudi, Trichy - Rajaraja Chola I and Kulothunga III 
  9. Virinjipuram, Vellore – Rajaraja I and Kulothunga Chola I
  10. Tiruvalisvaram temple near Tirunelveli – Rajaraja Chola I / Rajendra Chola I
  11. Vaidyanatha Temple at Tirumalavadi – Rajaraja Chola I / Rajendra Chola I
  12. Uttara Kailasa Temple at Thanjavur – Rajaraja Chola I / Rajendra Chola I

    Rajendra Chola I 
  1. The Temple of Gangaikondacholisvaram - Rajendra Chola I
  2. Dharasuram,, Thanjavur – Rajendra Chola I 
  3. Bala Subramaniyar Koil, Theni – Rajendra Chola I
  4. Ramanatheeswarar koil, Esalam, Villupuram – Rajendra Chola I

    LATER CHOLA PERIOD
     
    Rajaraja Chola II 
  1. The Airavatesvara(Raja Rajeswaram) Temple at Darasuram, Kumbakonam - Rajaraja Chola II
  2. Apradeeswara Temple- Nagar, Lalgudi - Rajaraja Chola II

     
  1. Karakoil at Melakkadambur - Kulothunga Chola I
  2. Amirthakateshwarar Temple, Melakadambur, Chidambaram - Kulothunga Chola I
  3. Kambhareeswarar Temple, Thirubuvanam, Thanjavur District -  Kulothunga Chola I
  4. Tirupuvanam, Thanjavur – Kulothunga Chola I
  1. Jambukeswarar Temple, Thiruvanaikaval, Trichy - Kocengannan (Kochenga Chola)
  2. Vekkaliamman Koil, Uraiyur, Trichy - Kochenga Chola
  1. Agasteeswarar temple, Perungudi, Trichy - Sundara Chola
  2. Nandhikeswarar, Thuriyur, Trichy - Sundara Chola
  1. Achaleeswaram temple, Tiruvarur - Sembian Mahadevi, 10 the century
  2. Tirunallam Temple(Gandaradityam) – Sembian Mahadevi
  3. Kailasanathaswamy Temple, Sembianmadevi – Sembian Mahadevi

    CHOLA TEMPLES REBUILT 
  1. Vijayalaya Choleeswaram, Naaratahamalai, Pudukottai District - Rebuilt by Vijayalaya Chola I
  2. Thiruvalithayam - Padi, Chennai - Rajaraja Chola III
  3. Varadharaja Perumal Temple, Kanchipuram - Rajendra Chola II 
  4. Muvar Koil, Pudukottai - Parantaka II
  5. Kampaharesvara temple at Tribhuvanam near Kumbakonam - Kulothunga Chola III
  6. Kailasmudaiyar temple, Cholamadevi, Thiruverumbur, Trichy - Virarajendra Chola
  7. Patteswarar Temple, Perur, Coimbatore – Karikala Perivalanam 
  8. Tirunageeswaram, Tanjavur – Gandaraditya Chola 
  9. Maada Kovil, Uraiyur, Trichy – Sengan Chola 
  10. Tirupachur, Tiruthani, Chennai – Karikalan Chola 
  11. Thiyagarajar Temple, Tiruvarur - Muchukanta Chola
  12. Sri Pundarikashan Perumal Temple, Thiruvellarai - Sibi Chakravarthy
  1. Annamalaiyar Temple, Thiruvannamalai - 9th century Chola king
  2. Erumbeeswarar temple, Thiruverumbur, Trichy - Early Chola kings 
  3. Amaleesvarar Temple, Gopurapatti, Tiruvassi, Trichy - Early Cholas
  4. Vada Tirthanathar temple, Andavanallur, Trichy - Early Cholas
  5. Sundareswarar temple, Paluvur, Karur-Trichy road - Early Cholas
  6. Ekambareswarar Temple, Chidambaram - Rebuilt by Chola kings
  7. Kasi viswanathar temple, Thirupattur, Siruganur, Trichy - Unknown Chola king 
  8. Muchukondeeswarar, Kodumbalur, Pudukottai – Unknown Chola king
  9. Kangeeswarar Koil, Kangaya Nallur, Vellore – Unknown Chola king
  10. Tiruvakarai, Villupuram – Unknown Chola King
  11. Tiruvamathur, Villupuram – Unknown Chola King
  12. Thirutanthoneeswarar, Uraiyur, Trichy – Unknown Chola king
  13. Sri Ranganatha temple at Srirangam- Unknown Chola king according to Legend
  14. Thayinum Nalla Iswaram - Aaragalur, Perambalur District, Near Arumbavur - Vana Kovaraiyan, A Chola subsidiary

    Thursday, July 7, 2011

Monday, June 9, 2014

Kirtimukha Motif in Temple Architecture

Temple Vimanam

Kirtimukha at the Nasika of Meenakshi Sundareswarar Temple Tower Madurai
Kirtimukha above a Hindu temple entrance in Kathmandu, Nepal (Wikipedia)
Kirtimukha at Kasivisvesvara Temple at Lakkundi, Gadag district, Karnataka, India (Wikipedia)
Kirtimukha in Rock cut Ratha
Kirtimukha on the Vimana (Exterior wall)
Kirtimukha at the Adhishtana

Kirtimukha on Pillar Capitals
Kirtimukha at the top of the metallic arch structure over the deity (Thiruvachi)
Jewelry Pattern showing Kirtimukha
Have you come across in many Indian Hindu temples over the lintel arch (torana) of the inner sanctum entrance or the ramparts, nasikas of the temple tower, kapotas, dormer arches, at the top of the metallic arch structure over the deity (Thiruvachi)  the monstrous disembodied head with swallowing fierce face with decorative line of triform arch representing the eye-brows, narrow forehead, protruding eyeballs,   two horns with fanciful shape, erect ears of the lion, thick moustache, bulged cheeks, grooved and sharp  fangs, the rows of gory teeth, wide open mouth and protruding tongue? You might have wondered how this seeming incongruity came to adorn the inner entrance of sanctum. The Hindu iconography represents Kirtimukha aka Kirttimukha (Sanskrit terminology: 'Kirti' means glory or fame and 'Mukha' means face) with opposite meaning, 'the glorious face.' The Southeast Asian tradition represent it as 'Kala' and the Chinese iconography discern it as  T'ao t'ieh (Monster of Greed).

In Skanda Purana, the ancient Hindu mythological tale of Lord Subramanya, Lord Shiva created  from His 'Third Eye' an all-devouring monster to destroy  Jalandhara, the powerful king of the Daityas. The monster was roaring like thunder.It was in intense hunger and prayed the Lord for food. Lord Shiva instructed the monster to appease its hunger by devouring its own body commencing from its tail. The monster finished eating its own body leaving only its face in tact. The monster's face with sanguinary appearance impressed Lord Shiva and preferred to call it as Kirti Muka aka 'Face of Glory.' Lord Shiva ordained to represent 'Kirtimukha' at the lintel of the sanctum of the Lord. The Lord also noted that whosoever worship the Kirtimukha would acquire the benevolent grace of the Lord.

Due to this reason Indian Manual of Hindu Architectural texts like 'Manasara' have prescribed it, and the sculptors, wood carvers and painters used to  represent Kirtimukha as a decorative motif. The motif often find its place on the lintels of the gate of the inner sanctum,  at the corners of the pillars and pilasters, surmounting the pinnacle of a temple tower or vimana or in the iconography of an Hindu deity. Often the image of the Kirtimukha resembles the monstrous lion's face engaged in swallowing some object with bulging eyes and protruding tongue and gory teeth.

Earliest Kirtimukhas in India are demonic in forms.In western India this motif is understood as 'Grasamukha'and Rahu-mukha in eastern parts of India and 'Kala' in in South East Asian Countries. Also known as Simha-mukha in some other parts. Medieval Maurian (Indian) artists represented kirtimukhas as stylised lion's face on pillar capitals. The research has identified the presence of similar decorative motifs in Scythian, Helenic, Chinese art traditions.  Traditionally Kirtimukhas are believed to be warding the edifices off the evil and destroyers. The Kirtimukha motif was often used as a decorative motif surmounting nasikas of the temple tower or or at the top of the metallic arch structure over the deity (Thiruvachi). At the beginning our temple architecture widely used in the  "chaitya" arch with a "kirtimukha" above it. It is very popular in Hoysala temples and others. The motif was profusely used as sculptural decorations, where the artist wants to show strings, foliage or festoons issuing from its mouth, till 14th century. After the use of this motif was occasional used. In Gujarat people pay much respect to this motif when they are about to cross the thresholds of the sanctum and even sprinkle scented water while making entry.

Sunday, April 6, 2014

Sangam Anthologies (சங்க இலக்கிய நூல்கள்): Vaidhehi Herbert Translated 12 out 18 Anthologies in English


Mrs. Vaidhehi Herbert from Hawai, USA
Mrs. Vaidhehi Herbert with Mr.Herbert

Vaidhehi Herbert, a Tamil scholar from Thoothukudi (Tuticorin) and at present she lives in Hawai, USA. She has translated 12 out of 18   anthologies of Sangam literature into English.   - body of Tamil classical  literature created between the years c. 600 BCE to 300 CE - i.e, The Major Eighteen Anthology Series (பதினெண்மேல்கணக்கு) comprising The Eight Anthologies (எட்டுத்தொகை) and the Ten Idylls (பத்துப்பாட்டு). The books are published through Konrai Publication. The English translated titles, Mullaipattau (முல்லைப்பாட்டு) and Nedunalvadai (நெடுநெல்வாடை), were reviewed and certified by Dr. George Hart, American Tamil and Sanskrit scholar, Tamil professor at University of California at Berkeley, California, U.S.A. Similarly the translated title Pathirrupathu (பதிற்றுப்பத்து) was reviewed and certified by Dr. Takanobu Takahashi, Japanese Tamil and Sanskrit Scholar. The Tamil Literary Garden, a Canadian literary organization and charity, has aptly honoured  Vaidhehi Herbert with Tamil Translation award in 2012. The Canadian University also  honoured her with an award and recognized her immense contribution to Tamil Literature. The author has plans to translate the remaining six more anthologies within 2014. However she also convinced that the translations will not be commercially beneficial to her.

The author don't like claim herself either as a poet or a language scholar and she is 'simply passionate and disciplined.' Over the last three years the author showed much dedication in studying Tamil and kept her engaged in translating number of Tamil Sangam poems into English. She has approached and learned  Mullaippaatu, an anthology from Dr. Rukmani Ramachandran, Assistant Professor of Tamil, Queen Mary's College, Chennai. She has undertaken the mammoth task of translation of 12 Sangam Tamil anthologies on her own and she never expected any aid from any government or other institutions. She has co-authored three books with Dr. Rukmani Ramachandran. She has also compiled the dictionary for terminology of Sangam Tamil anthologies. She is also prepared to teach the Tamil loving public on Sangam Tamil literature either in person or over phone. For this purposes she has also developed 20 web sites to enable online instruction and to encourage distance learning.

Anyone interested in learning more about Sangam poetry is encouraged to visit Herbert’s main websites at http://sangampoemsinenglish.wordpress.com and www.learnsangamtamil.com.


Reference:

  1. Sangam Poems Translated by Vaidhehi Herbert http://sangamtranslationsbyvaidehi.com/
  2. Tamil Bookstore http://www.tamilbookstore.in/
  3. The Tamil Literary Garden (Wikipedia)
  4. சங்கத் தமிழை மொழிபெயர்ப்பதில் பல சவால்கள்
    http://www.bbc.co.uk/tamil/multimedia/2013/06/130616_vaidehiaudio.shtml
Vaidehi Herbert Hawaii USA Sanga Ilakkiyam (YouTube)

Friday, April 4, 2014

சங்க இலக்கியம்


இணையத்தில் சங்க இலக்கிய பதிவுகள்
சங்க இலக்கியம் போற்றும் வேதங்கள் -தமிழர் சமுதாயம்.   தமிழ்த் தொகுப்புகள் August 26, 2012 ankaraikrishnan

சங்க இலக்கியம் காட்டும் வாழ்வியல் சிந்தனை – ஜெ. சந்திரசேகரன்
தமிழ்த் தொகுப்புகள் ஜனவரி 29, 2011

சங்க இலக்கியம் காட்டும் சிந்தனைகள் வாழ்வியலை வளப்படுத்தும் என்பது திண்ணம்.

சங்க இலக்கிய மகளிர்: விறலியர் மு. இளநங்கை திண்ணை

தமிழிலக்கியங்களில் சங்க இலக்கியத்தில் மட்டும்தான் சில பெண்கவிஞர்கள் உள்ளனர்...

முத்தொள்ளாயிரத்தில் யானைகள் மாயக்கூத்தன்  சொல்வனம் இதழ் 60  26-11-2011

முத்தொள்ளாயிரம் பாடல்களில் நமக்கு கிடைத்திருப்பவை வெறும் 108 பாடல்கள் மட்டுமே. அந்த நூற்றியெட்டில் 33 பாடல்களில் யானைகள் பேசப்படுகின்றன.

சங்க இலக்கியத்தில் சிந்து சமவெளித் தொடர்பு ஆர்.பாலகிருஷ்ணன், அய்.ஏ.எஸ் உண்மை


சங்க இலக்கியத்தில் மூன்று இடங்களில் கவரி பற்றி வரும். கவரி என்ற ஒரு விலங்கைப் பற்றி. .. பெண்கள் வைத்துக்கொள்கிற அந்த சவரி முடிதான் கவரி.. மா என்பது விலங்கு. கவரி மா-_ன்னுதான் சொல்வார். கவரிமான் என்று சொல்லவில்லை.

சங்க இலக்கியம் குறிப்பிடும் கடற்கொள்ளையர்கள் யார்? மு.இளங்கோவன்  தேவர் தளம்



கடம்பர்கள் என்பவர்கள் கடலிடை உள்ள தீவுகளை வாழிடமாகக் கொண்டு அவ்வழிச் செல்லும் கலங்களைக்(கப்பல்களை) கொள்ளையடிப்பதை வழக்கமாகக் கொண்டிருந்தனர். இக் கொடியவர்களால் தம் நாட்டில் நடைபெற்று வந்த கடல்வணிகம் பாதிக்கப்பட்டதை அறிந்த இமயவரம்பன் அக்கடம்பர் பகுதி மீது(அரபிக்கடல் பகுதியில்)படையெடுத்தான்.

சங்க இலக்கியத்தில் நுண்கலைகள் ரா. பூங்குன்றன் செம்மொழி.



தமிழ் இலக்கியத்தில் நுண்கலைப் பொருட்கள் பற்றிய செய்திகள் மிகுந்து  கிடைக்கின்றன. வளை, மணிகள் கோத்த ஆரங்கள், மணிகள் கோத்த மேகலை, சிலம்பு, போன்ற கலைப்பொருட்கள் நுண்கலைப் பிரிவில் அடக்கலாம். சங்க இலக்கியத்தில் போகிற போக்கில் உவமைகளாகவும், உருவகங்களாகவும் கூறப்பெறும்போது இத்தகைய நுண்கலைப் பொருட்கள் குறிக்கப்பெறுகின்றன.

சங்க இலக்கியத்தில் வானியல் தமிழ்மணி   Spottamil 



தமிழரின் வானியல் அறிவு இன்றைய அறிவுசார் உலகுக்கு ஒரு முன்னோடி என்பதில் ஐயமில்லை

தமிழ் மின்னகராதிகள்

தமிழ் மின்னகராதிகள்

ஆங்கிலம் தமிழ் சிங்களம் மின்னகராதி என்பது ஆங்கிலச் சொற்களுக்கு ஈடான தமிழ், சிங்கள சொற்களை வழங்கும் ஒரு இணைய மின்னகராதி. இது கப்ருகா நிறுவனத்தால் (kapruka) இலவசமாக தரப்பட்டுள்ளது.

தமிழ் இணையப் பல்கலைக்கழகம் கலைச்சொற்கள் என்பது தமிழ் துறைசார் கலைச்சொற்களின் மின்னகராதி. பல்வேறு இடங்களில் தொகுக்கப்பட்ட கலைச்சொற்கள் பட்டியல்களாக இங்கு கிடைக்கின்றன. இந்த கலைச்சொற்கள் தானியங்கி மூலம் தமிழ் விக்சனரியிலும் சேர்க்கப்பட்டுள்ளன.

தமிழ் விக்சனரி என்பது சொற்களுக்கான பொருள், அவற்றின் மூலம், உச்சரிப்பு, எடுத்துக்காட்டு வாக்கியங்கள் தொடர்கள் முதலியவற்றை உள்ளடக்கிய, கட்டற்ற பன்மொழி அகரமுதலியொன்றைக் கூட்டு முயற்சியில் உருவாக்கும் ஒரு திட்டமாகும். தமிழ்-தமிழ், ஆங்கிலம்-தமிழ், தமிழ்-ஆங்கிலம் மட்டும் அல்லாமல் பிரன்சிய மொழி, சிங்களம், மலேய மொழி போன்ற பிற மொழிச் சொற்களிலும் இதில் விளக்கம் பெற முடியும்.

தமிழ் பதிவுகள்

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